A work in constant progress (and occasional regress).
Release Date:
November 14, 1991
Original Title:
Corpus delicti
Genres:
Drama
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 97
The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.
Assistant Camera:
Roman Fara
Assistant Editor:
Anna Mejtská
Assistant Production Manager:
Pavel Bačkovský
Camera Operator:
Václav Zajíček
Clapper Loader:
Monika Machytková
Costume Design:
Simona Rybáková
Costumer:
Iveta Trmalová
Miroslava Rejhonová
Creative Producer:
Miloslav Vydra
Director:
Irena Pavlásková
Director of Photography:
F. A. Brabec
Dramaturgy:
Dušan Kukal
Editor:
Jan Svoboda
Executive Producer:
Dana Dudová
First Assistant Director:
Stanislava Hutková
Makeup & Hair:
František Příhoda
Zdena Prchlíková
Božena Došlá
Rudolf Hammer
Music Director:
Jiří Zobač
Original Music Composer:
Jiří Chlumecký
Jiří Veselý
Production Design:
Libuše Jahodová
Karel Lier
Production Manager:
Jaromír Lukáš
Screenplay:
Irena Pavlásková
Nelly Pavlásková
Script Supervisor:
Irena Klausová
Klaudie Hepnerová
Marie Brodilová
Second Assistant Director:
Josef Kropáček
Set Decoration:
Michal Erazim
Jiří Matějka
Eva Slívová
Robert Vlček
Sound:
Jaroslav Novák
Sound Effects:
Jitka Zvirocká
Special Effects:
Miroslav Šnábl
Still Photographer:
Jaroslav Trousil
Story:
Irena Pavlásková
Nelly Pavlásková
Title Designer:
Čeněk Dousek
Unit Production Manager:
Antonín Pražský
Dagmar Pitráková
Irena Ladýřová
Jiří Synek
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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