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The Awful Kind (2019) [N/A]

Release Date:
March 21, 2019

Original Title:
The Awful Kind

Genres:
Comedy | Drama

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 22

Overview from TheMovieDB

After a horribly unsuccessful train robbery, the surviving gang of thieves begin to suspect they've been set up.

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Additional information:

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Performers

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Production

Assistant Costume Designer:
Robert Kent James

Associate Producer:
Alia Domino

Best Boy Electric:
Taylor Huddleson

Camera Operator:
Tobias Winde Harbo

Cinematography:
Nick Mahar

Co-Producer:
Chris Finch
Nick Mahar
Ryan Haynie

Director:
Justin Taite

Editor:
Yoni Reiss

Executive Producer:
Gary Braniff
Lauren Telegdy
Francine Roussy
Keith Taite

First Assistant Director:
Ryan Haynie

Gaffer:
Joe Seiler

Line Producer:
Gillian Mahar

Original Music Composer:
Tangelene Bolton

Producer:
Nick Finch
Justin Taite

Production Assistant:
Nick Bauer
Wendy Taite

Property Master:
Tyler Weschta

Second Assistant Camera:
Sophia Harbo

Second Assistant Director:
Alia Domino

Sound Effects Editor:
AJ Shapiro

Special Effects Technician:
Nick Bauer

Story:
Nick Finch

Visual Effects Supervisor:
Chris Fregoso

Writer:
Justin Taite

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.