A work in constant progress (and occasional regress).
Release Date:
April 28, 2015
Original Title:
Kad bi ovce bile roze
Genres:
Drama | Family
Production Companies:
Living Pictures
Mama Knows Best
Pavilux
iCode Team
Production Countries:
Serbia
Ratings / Certifications:
N/A
Runtime: 29
Marco is the only child in the village. His childhood is lonely, bored and focused on adults. That changes when he meets Lacho, Biber and Shotka, who came to help him in the fight for children's rights. Marco experiences adventure and the true joy of growing up.
Assistant Costume Designer:
Nemanja Devetak
Rialda Dizdarević
Assistant Production Design:
Teodora Jelenić
Boom Operator:
Lazar Arsović
Camera Operator:
Milan Kolarski
Vojislav Gelevski
Clapper Loader:
Helena Kominac
Costume Design:
Kristina Kostić
Digital Intermediate Colorist:
Filip Orlandić
Director:
Đurđija Radivojević
Director of Photography:
Filip Orlandić
Driver:
Aleksa Drobnjak
Nebojša Kastratović
Boban Petaković
Editor:
Davor Bosankić
Executive Producer:
Đurđija Radivojević
Filip Orlandić
Foley Artist:
Dora Filipović
Gaffer:
Dragan Pavlović
Graphic Designer:
Tijan-Boris Ninković
Music:
Dorotea Vejnović
Musician:
Nataša Gajić
Slobodan Gajić
Ana-Marija Vejnović
Aleksandra Vejnović
Post Production Supervisor:
Branislav Micić
Producer:
Pavle Stevanović
Aleksa Miladinović
Jelena Đurić
Producer's Assistant:
Anastasija Zamahajev
Production Design:
Sanja Bulat
Mina Lazarević
Jelena Prekajski
Sound Designer:
Marko Đukić
Sound Editor:
Nikola Janković
Sound Recordist:
Goran Milošević
Miloš Broćeta
Žolt Virag
Danica Vujošević
Thanks:
Stefan Orlandić
Visual Effects:
Ivan Čolić
Writer:
Đurđija Radivojević
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.