A work in constant progress (and occasional regress).
Release Date:
July 8, 2011
Original Title:
Cilada.com
Alternate Titles:
Cilada Com
Cilada.com
Trap dot com
Genres:
Comedy | Romance
Production Companies:
Casé Filmes
Multishow
TeleImage
Telecine
Production Countries:
Brazil
Ratings / Certifications:
BR: 14
Runtime: 95
Exposed by his girlfriend through a video on the Internet, Bruno tries to revive his reputation, but all he can do is get into a series of traps (Cilada, in Portuguese). Cilada.com is a comedy about love and betrayal that shows the power of the Internet to transform small intimacies and slips in fame and constraints globalized.
Additional Music:
Marcos Kuzka Cunha
Associate Producer:
Pri Jansen
Patrick Siaretta
Carlos Eduardo Rodrigues
Best Boy Grip:
Thiago Pereira
Boom Operator:
Felipe Machado
Digital Effects Producer:
Marcelo Ferreira PeeJay
Director:
José Alvarenga Jr.
Director of Photography:
Nonato Estrela
Editor:
Marcelo Moraes
Executive Producer:
Rômulo Marinho Jr.
First Assistant Director:
Rafael Salgado
First Assistant Editor:
Luiza Moscoso
Focus Puller:
José George Rodrigues Alves
Grip:
Rodrigo Mourão
Music:
Plínio Profeta
Post Production Coordinator:
Leandro Scorsafava
Producer:
Augusto Casé
Production Coordinator:
Roberta Oliveira
Production Design:
Claudio Domingos
Production Intern:
Vitor Bezamat
Screenplay:
Bruno Mazzeo
Script Supervisor:
Fernanda Luz
Second Assistant Camera:
Daniel W. Xavier
Set Designer:
Bel Xavier
Sound Assistant:
Breno Furtado
Sound Editor:
Cauê Custódio
Sound Effects Editor:
Lilian Nakahodo
Sound Mixer:
Valéria Ferro
André Tadeu
Special Effects Supervisor:
Mauricio Couto Bevilaqua
Still Photographer:
Ique Esteves
Artur Meninea
Stunts:
Javier Lambert
Supervising Sound Editor:
Beto Ferraz
Thanks:
Renata Castro Barbosa
Visual Effects:
Marco Prado
Rogério Marinho
Vanessa Mariano
Writer:
Rosana Ferrão
Bruno Mazzeo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.