A work in constant progress (and occasional regress).
Release Date:
January 1, 2004
Original Title:
Sci-Fighter
Alternate Titles:
Wirtualny świat
X-Treme Fighter
Genres:
Action | Science Fiction
Production Companies:
KNM Home Entertainment GmbH
Ratings / Certifications:
DE: 16 US: PG-13
Runtime: 91
A well-meaning genius creates a virtual reality game that leaves his grandson trapped within when a virus invades. The boy's father (Don Wilson) enters the virtual fighting game in order to combat the virus and save his son before they're both trapped forever.
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Additional Second Assistant Camera:
Pauline Edwards
Assistant Editor:
Ted E. Perro
Assistant Property Master:
Mandy Eguia
Associate Producer:
Thomas Callicoat
Boom Operator:
Franck Zaragoza
Casting:
Judy Lea
Choreographer:
Eric Lee
Co-Producer:
Art Camacho
Don Wilson
Costume Design:
Sonia Woodfield
Director:
Art Camacho
Director of Photography:
Andrea V. Rossotto
Editor:
Ted E. Perro
Executive Producer:
Bill J. Gottlieb
Fight Choreographer:
Troy Aguayo
Art Camacho
Joe Perez
Eric Lee
First Assistant Camera:
Joseph Torres Jr.
First Assistant Director:
Jacov Bresler
Foley Artist:
Doug Madick
Location Manager:
Kenneth Kassel
Makeup Artist:
Alexis Walker
Makeup Department Head:
Kathleen Karridene
Music:
Vince DiCola
On Set Dresser:
Kristen Anthony
Post Production Assistant:
Vladimir Parkhomchuk
Post Production Supervisor:
Bill J. Gottlieb
Producer:
Bill J. Gottlieb
Property Master:
Tony Eguia
Screenplay:
Thomas Callicoat
Second Second Assistant Director:
David Harari
Set Decoration:
T.K. Lawlor
Carrie Montez
Sound Effects Editor:
Andrea Danek
Sound Re-Recording Mixer:
Paul Berolzheimer
Jim Fitzpatrick
Stunt Coordinator:
Troy Aguayo
Stunts:
Dwayne Alexandre
Eric Perrodin
Transportation Coordinator:
Sandra Ninham
Visual Effects Compositor:
Nathan Horn
Visual Effects Supervisor:
Thomas Callicoat
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.