A work in constant progress (and occasional regress).
Release Date:
December 12, 2003
Original Title:
Something's Gotta Give
Alternate Titles:
Aşkta Herşey Mümkün
Cuando menos te lo esperas
Milovať je zábavné
Tout peut arriver
Genres:
Comedy | Drama | Romance
Production Companies:
Columbia Pictures
Warner Bros. Pictures
Waverly Films
Production Countries:
United States of America
Ratings / Certifications:
AT: AA BR: 12 CH: 16 CZ: 12+ ES: 7 FR: TP GB: 12A GR: 13 HU: 12 IE: 12 IT: T JP: PG12 KR: 15 MX: B-15 NL: 14 PL: 12 PT: M/12 SE: Btl SK: 12 US: PG-13
Runtime: 128
When perpetually single, aging music industry exec Harry Sanborn, and his latest trophy girlfriend, Marin, arrive at her mother's beach house in the Hamptons, they find that her mother, playwright Erica Barry, also plans to stay for the weekend. Erica is scandalized by the relationship and Harry's sexist ways. But when Harry has a heart attack while there, and the doctor prescribes bedrest, his only option is to stay at the Barry home. Left in the care of Erica and his doctor, a love triangle starts to take shape.
Art Direction:
Franck Schwarz
John Warnke
Camera Operator:
Andrew Rowlands
Casting:
Janet Hirshenson
Jane Jenkins
Co-Producer:
Suzanne Farwell
Costume Design:
Suzanne McCabe
Dialogue Editor:
Kim Drummond
David V. Butler
Director:
Nancy Meyers
Director of Photography:
Michael Ballhaus
Editor:
Joe Hutshing
Foley Artist:
Gary A. Hecker
Katherine Rose
Hairstylist:
Nina Paskowitz
Cédric Chami
Rita Troy
Key Hair Stylist:
Jennifer Bell
Makeup Artist:
Sharon Ilson
Cyndilee Rice
Sophie Landry
Michael Germain
Geri B. Oppenheim
Original Music Composer:
Hans Zimmer
Producer:
Nancy Meyers
Bruce A. Block
Production Design:
Jon Hutman
Screenplay:
Nancy Meyers
Set Decoration:
Beth A. Rubino
Stand In:
Janet Dey
Steadicam Operator:
Andrew Rowlands
Stunt Coordinator:
Lance Gilbert
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.