A work in constant progress (and occasional regress).
Release Date:
December 20, 2022
Original Title:
Whitney Houston: I Wanna Dance with Somebody
Alternate Titles:
Es gribu dejot. Vitnijas Hjūstones filma
I Wanna Dance with Somebody
Ուզում եմ մեկի հետ պարել
וויטני: איי וונה דאנס ווית' סמבאדי
ויטני – I Wanna Dance with Somebody
与爱共舞
雲妮侯斯頓:與愛共舞
휘트니 휴스톤 아이 워너 댄스 위드 섬바디
Genres:
Drama | History | Music
Production Companies:
Black Label Media
Compelling Pictures
Muse of Fire
Primary Wave Music
TriStar Pictures
West Madison Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 16 CH: 8 DE: 12 FR: TP GB: 12A GR: K12 HU: 16 IE: 12A JP: PG12 NL: 16 PL: 16 PR: PG-13 SE: 7 SG: M18 SK: 12|15 TH: 15 TR: 13+ US: PG-13
Runtime: 144
The joyous, emotional, heartbreaking celebration of the life and music of Whitney Houston, the greatest female R&B pop vocalist of all time. Tracking her journey from obscurity to musical superstardom.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Tommy Fitzgerald
"B" Camera Operator:
Joel San Juan
"C" Camera Operator:
Bill Trautvetter
Additional Camera:
Jeff Dickerson
Additional Grip:
Christian Schmidt
Additional Photography:
Markus Mentzer
Additional Second Assistant Director:
Tony Scelsi
Stephen Turro
Benjamin Zalusky
Art Direction:
David Offner
Assistant Set Decoration:
Patricia Sullivan
Best Boy Electric:
Patrick Hines
Best Boy Grip:
Jeff Griffith
Camera Loader:
Gavin Wynn
Casting Assistant:
Brett Duffy
Casting Director:
Kim Taylor-Coleman
Chief Lighting Technician:
Kelly Clear
Costume Design:
Charlese Antoinette Jones
Dialogue Editor:
Louise Burton
Director:
Kasi Lemmons
Director of Photography:
Barry Ackroyd
Dolly Grip:
Anthony Earabino
Todd England Nicodemus
Editor:
Daysha Broadway
Electrician:
Michael Dynice
Nick Jablonski
Derek Raimo
Executive Producer:
Matthew Gallagher
First Assistant "A" Camera:
Nolan Ball
First Assistant "B" Camera:
Robert Bullard
First Assistant "C" Camera:
Tulio Dueñas
First Assistant Director:
Van Hayden
Foley Artist:
Peter Burgis
Franziska Treutler
Foley Farmers
Foley Editor:
Sandra Cuevas Alcocer
Maxwell MacRae
Gaffer:
Ben Heald
Generator Operator:
Guy Holt
Alexander Jay Nelson
Grip:
Kody Fraser
Michael Moran
Teddy Pryor
Hairstylist:
Adenike Wright
Rebecca Serra
Anne Morgan
Brenda McNally
Mandrill Hardge
Monique Peoples Graham
Key Grip:
Woody Bell
Joe Macaluso
Lighting Programmer:
Christopher Ferguson
Lighting Technician:
David Hallas
Kellon Haynes
Jason Platt
Harry Pray IV
Jack Rohner
Mitch Severt
Zachariah Suto
Justin Wakefield
Loader:
Mattie Hamer
Audrey L. Stevens
Makeup Artist:
Keesh Winkler-Smith
Trish Seeney
Shelby Michael Patton
Christopher Osorio
Geri B. Oppenheim
Music Supervisor:
Maureen Crowe
Producer:
Pat Houston
Clive Davis
Larry Mestel
Denis O'Sullivan
Anthony McCarten
Production Design:
Gerald Sullivan
Prosthetics:
Gary Archer
Dominic Mombrun
Rigging Gaffer:
Brandon J. Meadows
Rigging Grip:
Michael Geoghegan
Second Assistant "A" Camera:
Thomas Bellotti
Second Assistant "B" Camera:
Chuck Moya
Second Assistant "C" Camera:
Chris Malenfant
Second Assistant Director:
Alyssa Boffoli
Second Second Assistant Director:
Ty Taylor
Set Decoration:
Tricia Peck
Sound Mixer:
John Sheridan
Sound Re-Recording Mixer:
Andy Nelson
Ian Tapp
David Giammarco
Special Effects Coordinator:
Juliana Lima
Special Effects Makeup Artist:
Craig Lindberg
Special Effects Supervisor:
John Ruggieri
Special Effects Technician:
William Cunha
Tim Lutz
Steadycam:
Joel San Juan
Still Photographer:
Emily Aragones
Supervising Music Editor:
John Warhurst
Visual Effects:
Josephine Allegretti
Writer:
Anthony McCarten
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.