A work in constant progress (and occasional regress).
Release Date:
June 19, 2019
Original Title:
The Bumbry Encounter
Genres:
Drama | Science Fiction
Production Companies:
Rind-Raja Picture Company
Roth Rind Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 15
The year is 1961. Jackie Bumbry has a black eye. Her house is full of police officers. Her husband, Terry, is being spoken to in the other room. A family counselor is brought in to speak with Jackie about her relationship with her husband - and how she is white and he is black. But all Mrs. Bumbry wants to talk about is the strange lights she and her husband saw last night.
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ADR Engineer:
Ben Chesneau
Aerial Camera:
Matthew Lavin
Art Direction:
Justin Wilmott
Assistant Camera:
Eric Fowler
Luke Lasley
Assistant Director:
Henry Lee
Associate Producer:
Viet Mac
Mandeep Singh
Best Boy Electric:
Lance Gegner
Best Boy Grip:
Chad Leto
Boom Operator:
Aaron Garabedian
Camera Car:
Michael Conrardy
Rich Spicer
Casting:
Connie Jo Sechrist
Cinematography:
Jerome Stolly
Co-Producer:
Jay K. Raja
Colorist:
Dillon McEvoy
Costume Assistant:
Rena Cheng
Costume Design:
Ashley Elieff
Digital Imaging Technician:
Josh Wolk
Director:
Jay K. Raja
Dolly Grip:
Julien De Benedictis
Christofer Moscoso
Editor:
Roth Rind
Gaffer:
Ryan Nelson
Craig Ryan
Grip:
Spencer Mead
Key Grip:
Alex Ajayi
Julien De Benedictis
Makeup Artist:
Dalina In
Producer:
Roth Rind
Production Assistant:
Adham Aljahmi
Ryan Duncan
Production Design:
Micah Embry
Script Supervisor:
Kirsten Spalding
Second Assistant Camera:
Annie Li
Second Assistant Director:
Malinda O'Brien
Set Decoration:
Kendra Bradanini
Sound:
Hamed Hokamzadeh
Sound Designer:
Thomas Ouziel
Sound Editor:
Xiaodan Li
Sound Mixer:
Garrett McDonald
Storyboard Artist:
Daniel Esparza
Stunts:
Riley Rios
Swing:
Christopher Denise
Sruti Mamidanna
Visual Effects Supervisor:
Roth Rind
Writer:
Jay K. Raja
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.