A work in constant progress (and occasional regress).
Release Date:
January 17, 2014
Original Title:
Onneli ja Anneli
Alternate Titles:
Ada och Glada
Jill ja Joy
Onneli y Anneli
Genres:
Family
Production Companies:
Zodiak Finland
Production Countries:
Finland
Ratings / Certifications:
FI: K-7|S
Runtime: 80
When two best friends Jill and Joy find a huge sum of money on the street on the first day of the summer holiday, they decide to buy a house from the mysterious Mrs. Rosebud. It’s a real dream house: measured and equipped exactly for two little seven-year-old girls’ requirements. Based on a beloved children’s book, Jill and Joy is a story of a dream summer without parents or boundaries. Anything can and will happen as reality and fantasy magically intertwine.
"B" Camera Operator:
Pekka Uotila
Assistant Director:
Jolle Onnismaa
Book:
Marjatta Kurenniemi
Boom Operator:
Antti Onkila
Choreographer:
Peter Pihlström
Colorist:
Pentti Keskimäki
Costume Design:
Auli Turtiainen-Kinnunen
Digital Imaging Technician:
Antris Bonsdorff
Director:
Saara Cantell
Director of Photography:
Marita Hällfors
Editor:
Anne Lakanen
First Assistant Camera:
Petri Kiljunen
Foley Artist:
Heikki Kossi
Foley Editor:
Pietu Korhonen
Gaffer:
Manu Haapala
Grip:
Sami Kuokkanen
Lighting Technician:
Mika Lehikoinen
Line Producer:
Carita Kauppinen
Location Manager:
Lotta Lanamäki
Makeup Artist:
Anu Rokkanen
Online Editor:
Jari Hakala
Original Music Composer:
Anna-Mari Kähärä
Producer:
Sari Lempiäinen
Teea Hyytiä
Production Design:
Minna Santakari
Production Sound Mixer:
Tuomas Järnefelt
Property Master:
Riina Sipiläinen
Kaisa Saarela
Screenplay:
Sami Keski-Vähälä
Script Supervisor:
Sini Hormio
Second Assistant Camera:
Tanja Glad
Sound Designer:
Pietari Koskinen
Sound Editor:
Olli Huhtanen
Sound Re-Recording Mixer:
Pietari Koskinen
Peter Nordström
Special Effects Technician:
Raine Toikkanen
Still Photographer:
Jolle Onnismaa
VFX Artist:
Hugo Kiekeben
Jari Hakala
Panu Kujala
Tero Malinen
Tero Huttunen
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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