A work in constant progress (and occasional regress).
Release Date:
December 23, 1976
Original Title:
Quelle strane occasioni
Genres:
Comedy | Romance
Production Companies:
Rizzoli Film
Production Countries:
Italy
Ratings / Certifications:
IT: VM18
Runtime: 112
Three sexy and comic episodes.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Administration:
Claudio Saraceni
Assistant Camera:
Massimo Pau
Daniele Nannuzzi
Enrico Priori
Stefano Coletta
Boom Operator:
Giulio Viggiani
Corrado Volpicelli
Camera Operator:
Giuseppe Lanci
Nino Cristiani
Luciano Tonti
Co-Director:
Massimo Patrizi
Costume Design:
Fiorenzo Senese
Lucia Mirisola
Bruna Parmesan
Director:
Luigi Comencini
Nanni Loy
Luigi Magni
Director of Photography:
Armando Nannuzzi
Claudio Ragona
Aldo Tonti
Editor:
Ruggero Mastroianni
Nino Baragli
Franco Fraticelli
Executive Producer:
Fausto Saraceni
First Assistant Director:
Ignazio Dolce
Antonio Brant
Foley Artist:
Luciano Anzellotti
Hairstylist:
Aldo Signoretti
Rosa Luciani
Galileo Mandini
Makeup Artist:
Giulio Natalucci
Franco Rufini
Gianfranco Mecacci
Original Music Composer:
Piero Piccioni
Producer:
Andrea Rizzoli
Production Accountant:
Ilo Saccà
Production Design:
Fiorenzo Senese
Osvaldo Desideri
Lucia Mirisola
Production Manager:
Attilio Viti
Carlo Bartolini
Emanuele Spatafora
Screenplay:
Leonardo Benvenuti
Piero De Bernardi
Rodolfo Sonego
Script Supervisor:
Grazia Baldanello
Rita Agostini
Ilde Muscio
Sound:
Massimo Iabone
Mario Dallimonti
Still Photographer:
Dario Cavalcanti
Firmino Palmieri
Story:
Rodolfo Sonego
Sergio Corbucci
Unit Manager:
Cristiano Saraceni
Massimo Ferrero
Bruno Gallo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.