A work in constant progress (and occasional regress).
Release Date:
March 13, 1952
Original Title:
Casque d'Or
Alternate Titles:
Aquela Loura
Aranysisak
Blonde Marie
Die Sünderin von Paris
En un suburbio de París
Golden Marie
Gouden Helm
La reina del hampa
Rakastajatar
肉体の冠
Genres:
Crime | Drama | Romance
Production Companies:
Paris-Film Production
Spéva Films
Production Countries:
France
Ratings / Certifications:
AT: 8 DE: 6 GB: PG NL: 16 SE: 15 US: NR
Runtime: 99
At the end of the 19th century, during a ball in Joinville, on the outskirts of Paris, Georges, a former delinquent working as a carpenter, meets Marie, a young woman connected to a criminal gang.
Adaptation:
Jacques Becker
Art Designer:
Alfred Marpaux
Assistant Camera:
Francis Rivolan
Gaston Muller
Gilbert Sarthre
Assistant Decorator:
Marc Frédérix
Assistant Director:
Marcel Camus
Assistant Editor:
Geneviève Vaury
Assistant Production Manager:
Ulrich Picard
Camera Operator:
Jean-Marie Maillols
Costume Designer:
Marcelle Desvignes
Mayo
Marie-Rose Lebigot
Dialogue:
Jacques Becker
Director:
Jacques Becker
Director of Photography:
Robert Lefebvre
Editor:
Marguerite Renoir
Gaffer:
André Tixier
General Manager:
Michel Safra
Hairstylist:
Alex Archambault
Key Costumer:
Georgette Fillon
Makeup Artist:
Boris Karabanoff
Maguy Vernadet
Original Music Composer:
Georges Van Parys
Presenter:
Michel Safra
Robert Hakim
Production Design:
Jean-André d'Eaubonne
Production Director:
Henri Baum
Property Master:
Maurice Terrasse
Screenplay:
Jacques Companéez
Jacques Becker
Script Supervisor:
Colette Crochot
Second Assistant Director:
Michel Clément
Set Decoration:
Maurice Barnathan
Set Dresser:
Émile Dechelle
Sound Assistant:
Gaston Ancessi
Auboiroux
Sound Engineer:
Antoine Petitjean
Unit Manager:
Louis Théron
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.