A work in constant progress (and occasional regress).
Release Date:
January 1, 2004
Original Title:
Dreaming of the dream of the dream
Ratings / Certifications:
N/A
Runtime: 2
Dreaming of the dream of the dream is a 16mm projection consisting of images of waves that come and go continuously. The artist has assembled extracts of cartoons in which water is visible (the sea, bubbles, a stream, waves, etc.). Somewhat nostalgic, these extracts can recall either childhood cartoons or paintings by Hokusai. The continuous movement of the waves echoes the presentation of the film which also loops: a metaphor of life, a cyclical and continuous movement which nevertheless cannot be altered. The more the film is shown, the more the images become worn. The images progressively disappear with the scratches on the print. In fact, the work itself has a limited lifespan since the artist insists that the film should never be copied and that it should be shown until the images have entirely disappeared.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.