A work in constant progress (and occasional regress).
Release Date:
October 1, 1996
Original Title:
Intimate Relations
Genres:
Comedy | Drama
Production Companies:
Boxer Films
Fox Searchlight Pictures
Handmade Films
Paragon Entertainment Corp.
Production Countries:
Canada | United Kingdom
Ratings / Certifications:
GB: 15 US: R
Runtime: 100
In 1950s England, sailor Harold Guppy arrives in a small seaside town looking for his estranged brother. After a brief reunion, Harold finds a room for rent in the house of Mrs. Beasley, her meek husband and their teenage daughter, Joyce. It's clear that Harold has a troubled past, but his future is about to get more perilous yet. Despite the rosy surface, Harold soon finds himself in a tawdry sexual tug-of-war that won't end well.
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Art Direction:
Annie Gregson
Moving Jim
Assistant Director:
Neil Grigson
Boom Operator:
Jeremy Lishman
Camera Trainee:
Zachary Nicholson
Casting:
Susan Forrest
Costume Design:
John Hibbs
Director:
Philip Goodhew
Director of Photography:
Andrés Garretón
Editor:
Pia Di Ciaula
First Assistant Camera:
Roberto W. Contreras D.
Grip:
Doug Newton
Hairdresser:
Helen Lennox
Hairstylist:
Helen Lennox
Key Grip:
Rick Griffiths
Line Producer:
Simon Hardy
Simon Scotland
Location Assistant:
Tom Horovitch
Location Manager:
Adam Bohling
Makeup Supervisor:
Victoria Wright
Tory Wright
Original Music Composer:
Lawrence Shragge
Producer:
Jon Slan
Lisa Hope
Angela Hart
Production Coordinator:
Ananda Coulier
Production Design:
Caroline Greville-Morris
Screenplay:
Philip Goodhew
Script Supervisor:
Renée Glynne
Second Assistant Camera:
Torquil Fleming-Boyd
Second Assistant Director:
Matthew Scudamore
Set Decoration:
David Rosen
Sound Mixer:
Keith Tunney
Third Assistant Camera:
Maxine Blake
Third Assistant Director:
James Lingard
Wardrobe Assistant:
Sue Callan
Wardrobe Supervisor:
Sunita Singh
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.