A work in constant progress (and occasional regress).
Release Date:
March 20, 2011
Original Title:
Bringing Ashley Home
Alternate Titles:
Buscando a Ashley
Genres:
Drama | TV Movie
Production Companies:
Front Street Pictures
Lifetime
Off The Grid Productions
Time Inc. Studios
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 87
When her wild younger sister Ashley, who suffers from bipolar disorder and drug addiction, goes missing, Libba Phillips pours all her time and energy into finding Ashley and bringing her home. As the years go by, Libba refuses to give up hope, and, at the expense of her marriage and career, Libba finds her calling in life: creating a much-needed resource center for other families whose missing loved ones have fallen through the cracks.
Art Direction:
Kerri Elliott
Boom Operator:
Paul Novokshonoff
Camera Operator:
Richard Walden
George Campbell
Casting:
Candice Elzinga
Jason La Padura
Natalie Hart
Costume Design:
Aieisha Li
Dialogue Editor:
John R.S. Taylor
Director:
Nick Copus
Director of Photography:
Mahlon Todd Williams
Editor:
James Ilecic
First Assistant Director:
Chris Foss
Gaffer:
Rory Soderman
Key Grip:
James Vinblad
Key Hair Stylist:
Anji Bemben
Key Makeup Artist:
Jayne Dancose
Location Manager:
Jedrzej 'Jendrek' Kowalski
Music:
Michael Neilson
Producer:
Harvey Kahn
Production Coordinator:
Yale Kussin
Production Design:
Monika Choynowski
Property Master:
Valentine Pavuls
Script Supervisor:
Holly Atchison
Set Decoration:
Denise Nadredre
Sound Designer:
Chester Biolowas
Special Effects Coordinator:
Darcy Davis
Still Photographer:
Bob Akester
Stunt Coordinator:
Chad Sayn
Visual Effects Coordinator:
Sean Gilhooly
Writer:
Walter Klenhard
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.