A work in constant progress (and occasional regress).
Original Title:
Return to Silent Hill
Alternate Titles:
Retour à Silent Hill
Room 318
サイレントヒルに戻る
Genres:
Horror | Mystery
Production Companies:
Ashland Hill Media Finance
Davis Films
Hassell Free Production
Konami
Production Countries:
France | Japan | United States of America
Ratings / Certifications:
N/A
When a mysterious letter calls James back to Silent Hill in search of his one truelove, he finds a once-recognizable town transformed by an unknown evil. As James descends deeper into the darkness, he encounters terrifying figures both familiar and new and begins to question his own sanity as he struggles to make sense of reality and hold on long enough to save his lost love.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Assistant:
Teodora Stojanović
Art Department Coordinator:
Snježana Gomilanović
Art Direction:
Sanja Bulat
Assistant Art Director:
AnaMarija Spasenovic
Assistant Production Design:
Marija Mandić
Assistant Set Decoration:
Nađa Trajković
Mia Medenica
Associate Producer:
Merrick Stoller
Best Boy Electric:
Rado Ivančević
Best Boy Grip:
Dušan Klještan
Boom Operator:
Vladan Macura
Zoran Prodanović
CG Supervisor:
Dominic Alderson
Co-Producer:
Philipp Kreuzer
Joe Neurauter
Concept Artist:
Dave Bonneywell
Brad Greenwood
Sebastian Lochmann
Construction Coordinator:
Olja Mihajlovic
Costume Design:
Momirka Bailović
Dialogue Editor:
Ben Norrington
Digital Compositor:
Hannah Sornay
Thomas Deveaux
James Bellamy
Director:
Christophe Gans
Director of Photography:
Pablo Rosso
Editor:
Sébastien Prangère
Executive Producer:
Joe Jenckes
Jonathan Bross
First Assistant Director:
Brett Hodgkinson
Maša Nešković
First Assistant Editor:
Ivan Milosavljević
Chloe Kilby
Graphic Designer:
Irena Vildović
Uroš Stojanović
Key Grip:
Dragan Gagi Jović
Emir Bihorac
Leadman:
Marko Milošević
Lighting Technician:
Nenad Tomić
Location Manager:
Milan Maksimović
Makeup Designer:
Nataša Krstić
Makeup Effects Designer:
Christoph Suckow
Original Music Composer:
Akira Yamaoka
Post Production Supervisor:
Paul W. Hazen
Producer:
Victor Hadida
Molly Hassell
David M. Wulf
John Jencks
Alexa Seligman
Jay Taylor
Production Design:
Felicity Abbott
Production Designer:
Felicity Abbott
Production Manager:
Ana Biskupljanin
Production Sound Mixer:
Novica Jankov
Property Master:
Filip Maričević
Script Supervisor:
Aleksandra Kljajić
Second Assistant Director:
Milica Djordjevic
Second Unit Director:
Kook Ewo
Set Decoration:
Jovana Grahovac
Set Designer:
Luka Marković
Set Dresser:
Dubravko Bjelajac
Jovan Uhrin
Aleksandar Putić
Ivan Pavlekovic
Sound Mixer:
Mark Langlay-Smith
Still Photographer:
Aleksandar Letić
Stunt Coordinator:
Slaviša Ivanović
Milan Alavanja
Visual Effects:
Lauritz Raisch
Visual Effects Editor:
Steve Pang
Visual Effects Producer:
George Butler
Ali Griffiths
Visual Effects Supervisor:
Victor Tomi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.