A work in constant progress (and occasional regress).
Release Date:
February 20, 1985
Original Title:
Brazil
Alternate Titles:
1984 and 1/2
1984½
Brazil
Genres:
Comedy | Science Fiction
Production Companies:
Embassy International Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AR: 16 AU: M BR: 14 CZ: 15+ DE: 12 DK: 15 ES: 12 FI: K-16 FR: 12 GB: 15 GR: K-16 HU: 18 IE: 15 IT: T JP: G NL: 12 NO: 15 PE: 18 PL: 18 PT: M/16 RO: 15 SE: 15 US: R
Runtime: 143
Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.
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Art Direction:
Keith Pain
John Beard
Assistant Art Director:
Dennis Bosher
Françoise Benoît-Fresco
Camera Operator:
David Garfath
Casting:
Irene Lamb
Margery Simkin
Costume Design:
James Acheson
Director:
Terry Gilliam
Director of Photography:
Roger Pratt
Editor:
Julian Doyle
Gaffer:
Roy Rodhouse
Hair Designer:
Maggie Weston
Makeup & Hair:
Sallie Evans
Elaine Carew
Meinir Jones-Lewis
Sandra Shepherd
Makeup Designer:
Maggie Weston
Music:
Ary Barroso
Original Music Composer:
Michael Kamen
Producer:
Patrick Cassavetti
Arnon Milchan
Production Design:
Norman Garwood
Production Manager:
Graham Ford
Property Master:
Gary Dawson
George Ball
Prosthetic Makeup Artist:
Aaron Sherman
Publicist:
Alan Arnold
Geoff Freeman
Scenic Artist:
Andrew Garnet-Lawson
Screenplay:
Tom Stoppard
Terry Gilliam
Charles McKeown
Script Supervisor:
Penny Eyles
Sound Editor:
Rodney Glenn
Sound Re-Recording Mixer:
Paul Carr
Sound Recordist:
Bob Doyle
Still Photographer:
David Appleby
Stunts:
Greg Powell
Vic Armstrong
Visual Effects:
Richard Conway
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.