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The Beautiful, the Bloody, and the Bare (1964) [N/A]

Release Date:
December 8, 1964

Original Title:
The Beautiful, the Bloody, and the Bare

Alternate Titles:
Bloody, Bare, and Beautiful

Genres:
Drama | Horror

Production Companies:
Boxoffice International Pictures (BIP)
Esquire Pictures

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 65

Overview from TheMovieDB

An artist and his wife hold art classes using nude models. Their photographer friend Pete returns from two years in Europe, and they try to convince him he has a promising career in nude photography. He eventually agrees to try it, but finds that the sight of red hair or red nail polish triggers unhealthy impulses, to the detriment of some of his models.

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Additional information:

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Performers

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Production

Cinematography:
Jerry Denby

Director:
Sande N. Johnsen

Editor:
Al Ruban
Jerry Denby
Sande N. Johnsen

Makeup Artist:
Ann Shirley

Original Music Composer:
Steve Karmen

Producer:
Al Ruban

Set Designer:
Neil Fallon

Writer:
Sande N. Johnsen

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.