A work in constant progress (and occasional regress).
Release Date:
March 28, 2020
Original Title:
Just My Type
Alternate Titles:
Subject to Change
Как раз в моём вкусе
Genres:
Drama | Romance | TV Movie
Production Companies:
Hallmark Media
Two 4 The Money Media
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 84
Pop culture writer and aspiring novelist Vanessa Sills lands the interview of a lifetime with the illustrious, elusive and reclusive mystery author Martin Clayborne in his quaint rural town only to realize her own aspirations, dreams and romantic life have taken a back seat along the way. When Vanessa returns home to Portland and a mysterious gift arrives from Martin, she then makes a surprise decision, and finally takes her own advice to “go boldly in the direction of your dreams and live the life you imagine.”
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"A" Camera Operator:
Brad Hodson
"B" Camera Operator:
Kenneth Lau
Animal Wrangler:
Ian Doig
Art Direction:
Iain Lindsay
Assistant Costume Designer:
Brian Chan
Rachel Zaharik
Assistant Editor:
Taylor Frey
Assistant Hairstylist:
Michelle Macasling
Megan Leies
Assistant Location Manager:
Jamie Skelton
Nigel Williams
Assistant Makeup Artist:
Melissa Rankl
Assistant Production Coordinator:
Jill Orsten
Assistant Set Decoration:
Donna McBride
Assistant Sound Editor:
Sean Szutka
Associate Producer:
Aleta Wilson
Best Boy Electric:
Alex Ma
Boom Operator:
Graham Crowell
Casting Assistant:
Jana Jacques Lind
Andrea Ware
Tara Bell-Irving
Casting Director:
Jackie Lind
Colorist:
Lorne Wright
Costume Design:
Martin Spencer
Costume Set Supervisor:
Dayna Brown
Costumer:
Himesh Khattar
Christina Sellinger
Craft Service:
Lisa Ahlers
Dialogue Editor:
Aaron Olson
Director:
Paul Ziller
Director of Photography:
Ron Stannett
Dolly Grip:
Jake Cummins
Editor:
Jason Pielak
Electrician:
Bradley Ishii
Executive Producer:
Ivan Hayden
Kim Arnott
Extras Casting:
L.A. Hilts
Extras Casting Assistant:
Elfie Pavlakovic
First Assistant "A" Camera:
Jerry Wang
First Assistant "B" Camera:
Sam Acton King
First Assistant Director:
Mellanie Siteman
First Assistant Editor:
Revan P. Caluya
Foley Artist:
Ian Mackie
Bonnie Lambie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Jesse D.E. Young
Generator Operator:
Michael Branion
Graphic Designer:
Fraser Hagen
Grip:
Slatie Chu
Kiefer Schneider
Key Grip:
Bryceton Cote
Key Hair Stylist:
Lee Novak
Key Makeup Artist:
Joanne Kinchella
Lead Set Dresser:
Tim Hill
Location Manager:
Karen Zajac
Music Coordinator:
Francesca Cammarata
Music Supervisor:
Valerie Biggin
Online Editor:
Lorne Wright
Marco Abraham
Original Music Composer:
Mikel Hurwitz
Post Production Coordinator:
Saskia Werner
Producer:
John Prince
Production Accountant:
Megan Turnbull
Production Coordinator:
Jim McKeown
Production Design:
Paul McCulloch
Production Manager:
John Prince
Production Sound Mixer:
Jeff Carter
Property Master:
Andrew Watling
Props:
Karina Centeno-Mirth
Second Assistant "A" Camera:
Beth Williams
Second Assistant "B" Camera:
Tiara Adams
Second Assistant Director:
Scooby Vincent
Security Coordinator:
Sean Hanlin
Set Decorating Coordinator:
Lydia Kim Skidmore
Set Decoration:
Gail Luining
Set Dresser:
Janice Hum
Ariana Morales
Sarah Lennon
Kurtis Dolezsar
Sound Designer:
Craig George
Sound Re-Recording Mixer:
Joe Watts
Craig George
Still Photographer:
Eike Schroter
Bettina Strauss
Supervising Producer:
Dawn Knight
Third Assistant Director:
Glen B.D. Pelzer
Transportation Captain:
Reggie Singh
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Cece Bright
Writer:
S.W. Sessions
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.