A work in constant progress (and occasional regress).
Release Date:
February 20, 2020
Original Title:
T11 Incomplete
Genres:
Drama
Production Companies:
Aspire Productions
Production Countries:
United States of America
Ratings / Certifications:
CA: 14A GB: 15
Runtime: 105
A visiting home health aide and recovering alcoholic, strives to rebuild her broken life, only to have it fall apart once again when she falls in love with her young, paraplegic patient then betrays her trust.
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Additional Director of Photography:
Marc Riou
Animal Wrangler:
Maya Guacci
Art Direction:
Theresa Aquilina
Casting:
Judy Bowman
Colorist:
Jenny Montgomery
Costume Designer:
Anne-Aurelie Pillet
Data Management Technician:
Joann Rempe
Director:
Suzanne Guacci
Director of Photography:
Darin Quan
Editor:
Frank Reynolds
Mike Mazzotta
First Assistant Camera:
Grayson Horan
First Assistant Director:
Amber Sherman
Gaffer:
Erin Bailey
Hair Department Head:
Susie Bua
Key Grip:
John Izarpate
Makeup Department Head:
Susie Bua
Opening Title Sequence:
Carrie Denoyer
Original Music Composer:
Jasmin Klinger
Producer:
Theresa Aquilina
Suzanne Guacci
Kevin Hanlon
Nic Novicki
Production Assistant:
Gabriel Dasilva
Sydney Martinez
Production Design:
Adrianne Davis
Script Consultant:
Lyena Strelkoff
Script Supervisor:
Esha Kallianpur
Second Assistant Camera:
Sadie Price-Elliott
Second Assistant Director:
William Lee
Set Photographer:
Joann Rempe
Set Production Assistant:
Cheyenne Garra
Kayla Guacci
Maya Guacci
Anthony Mastrobuoni
Sound Designer:
Nick Bedo
Sound Recordist:
Nick Bedo
Katerina Aurigema
Swing:
Sarah Leriche
Wardrobe Assistant:
Susan Arifakis
Kit Baral
Writer:
Suzanne Guacci
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.