A work in constant progress (and occasional regress).
Release Date:
January 1, 2004
Original Title:
Impressionism: Revenge of the Nice
Genres:
Documentary
Production Companies:
World of Wonder
Production Countries:
United Kingdom
Ratings / Certifications:
GB: U
Runtime: 100
Matthew Collings will reappraise the Impressionists. The four stars are Courbet, Manet, Monet and Cezanne. In two hours their stories and their art will intertwine. Matt will unpack the principles of Impressionism - the strength of colour, the flatness, the patterning and the way in which ordinary life is pictured with startling truth - and argue that this is the best thing that has ever happened in modern art. He will also show that although the contemporary art world seemingly despises Impressionism it is only because of Impressionism that the avant-garde came to be.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.