A work in constant progress (and occasional regress).
Release Date:
July 2, 2021
Original Title:
Till Death
Alternate Titles:
Aż do śmierci
Hasta la Muerte - Sobrevivir es la Mejor Venganza
Hasta que mueras
Jusqu'à la mort
Till Death - Bis dass dein Tod uns scheidet
Till Death. Hasta que la muerte nos separe
Genres:
Horror | Thriller
Production Companies:
Brave Carrot
Campbell Grobman Films
Davis Films
Millennium Media
Screen Media Films
Production Countries:
France | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 DE: 18 GB: 15 HK: IIB IE: 15 PT: M/16 RU: 18+ TH: 15+ US: R
Runtime: 89
After a romantic evening at their secluded lake house, a woman wakes up handcuffed to her dead husband. Trapped and isolated in the dead of winter, she must fight off hired killers to escape her late spouse's twisted plan.
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ADR Recordist:
Vinny Alfano
Art Direction:
Ivan Ranghelov
Casting:
Dan Hubbard
Costume Designer:
Irina Kotcheva
Dialogue Editor:
Adrian Gougov
Director:
SK Dale
Director of Photography:
Jamie Cairney
Editor:
Alex Fenn
Sylvie Landra
Executive Producer:
Claiton Fernandes
Euzebio Munhoz Jr.
Vladimir Fernandes
Balan Melarkode
Robert Van Norden
Trevor Short
Jeffrey Greenstein
Boaz Davidson
Avi Lerner
Jonathan Yunger
Executive Producer's Assistant:
Thayer Juergens
Foley Artist:
Tapio Liukkonen
Gaffer:
Matt Hadley
Key Makeup Artist:
Valentin Valov
Makeup Artist:
Atanas Temnilov
Sofi Hvarleva
Tobi Henney
Makeup Designer:
Valentin Valov
Original Music Composer:
Walter Mair
Producer:
Rob Van Norden
Les Weldon
Yariv Lerner
David Leslie Johnson-McGoldrick
Tanner Mobley
Production Design:
Nikola Berček
Orlin Grozdanov
Second Second Assistant Director:
Maya Markova
Sound Designer:
Ryan Nowak
Sound Effects Editor:
Nikolay Bakalov
Sound Mixer:
Emil Evtimov
Sound Re-Recording Mixer:
Gord Hillier
Stunt Double:
Dessy Slavova
Supervising Sound Editor:
Kris Casavant
Visual Effects:
Georgi Ugrinov
Georgi Staikov
Yulian Velkov
Writer:
Jason Carvey
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.