A work in constant progress (and occasional regress).
Release Date:
October 1, 2021
Original Title:
Mayday
Alternate Titles:
Mayday
求救信号
Genres:
Drama | Fantasy | Mystery
Production Companies:
Complementary Colors
Queen's Army
Secret Engine
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 GB: 15 NL: 14 RU: 16+ SE: 15
Runtime: 100
Ana is transported to a dreamlike and dangerous land where she joins an army of girls engaged in a never-ending war. Even though she finds strength in this exhilarating world, she realizes that she's not the killer they want her to be, and time is running out for her to get home.
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ADR Editor:
Marissa Littlefield
Art Direction:
Vjeran Čengić
Casting:
Douglas Aibel
Co-Producer:
Amanda Messenger
Costume Design:
Aleksandra Staszko
Dialogue Editor:
Matt Rigby
Director:
Karen Cinorre
Director of Photography:
Sam Levy
Editor:
Nicholas Ramirez
Executive Producer:
Gabriella Ludlow
Line Producer:
Jure Bušić
Main Title Designer:
Jeff Kryvicky
Original Music Composer:
Colin Stetson
Producer:
Sam Levy
Lucas Joaquin
Jonah Disend
Karen Cinorre
Production Design:
Ivan Veljača
Production Manager:
Hrvoje Habeković
Set Decoration:
Branka Radonić
Sound Re-Recording Mixer:
Ruy García
Paul Hsu
Supervising Sound Editor:
Ruy García
Writer:
Karen Cinorre
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.