A work in constant progress (and occasional regress).
Release Date:
October 14, 2021
Original Title:
Amarração do Amor
Genres:
Comedy
Production Companies:
20th Century Fox Brazil
Downtown Filmes
Paris Filmes
Production Countries:
Brazil
Ratings / Certifications:
BR: 12
Runtime: 81
Lucas and Bebel decide to get married and have no idea that religion will be a reason for discord in families. While the bride's father wants to strengthen Jewish traditions, Luke's mother wants her son to take Umbanda traditions to his future family.
Art Direction:
Ula Schliemann
Camera Operator:
Maoma Faria
Cinematography:
Julia Equi
Costume Design:
Kika Lopes
Director:
Caroline Fioratti
Editor:
Leonardo Gouvea
Executive Producer:
Marcelo Guerra
Foley Editor:
Rafael Faustino
Foley Recordist:
Tiago Picado
Producer:
Carolina Castro
Iafa Britz
Screenplay:
Carolina Castro
Marcelo Andrade
Caroline Fioratti
Second Assistant Director:
Natalia Soutto
Sound Effects Editor:
Matheus Miguens
Supervising Sound Editor:
Ricardo Cutz
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.