A work in constant progress (and occasional regress).
Release Date:
November 5, 2019
Original Title:
Toronto Hides Itself
Genres:
Documentary
Production Companies:
Toronto Metropolitan University
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 52
Its title riffing on that of Thom Andersen's Los Angeles Plays Itself. Researcher and filmmaker Alexandra Anderson presents her exploration of Toronto’s representation in film. Hollywood's neocolonial use of Toronto as a pseudonymous urban backdrop with the way Canadian filmmakers themselves have portrayed it over the years. Often slyly funny (the Incredible Hulk seems to hate Yonge Street as much as Goin' Down the Road's hosers were fascinated by it), and featuring trenchant ruminations from such commentators as Bruce McDonald, Piers Handling, Atom Egoyan, Patricia Rozema, and Geoff Pevere, Toronto Hides Itself is essential viewing for anyone interested in our city's cine-history.
Assistant Editor:
Sydney Boniface
Cinematography:
John P. Tarver
Nick Tirringer
Director:
Alexandra Anderson
Editor:
Richard Bartram
Researcher:
Sydney Boniface
Sound Designer:
Alana Raymond
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.