A work in constant progress (and occasional regress).
Release Date:
March 9, 2020
Original Title:
Ultras
Alternate Titles:
Ultras
Genres:
Drama
Production Companies:
Indigo Film
Production Countries:
Italy
Ratings / Certifications:
IT: T SG: R21
Runtime: 109
An aging soccer fanatic faces down the reality of his past while struggling to give himself and a young follower very different futures.
Assistant Camera:
Paolo Cafiero
Elena Bertelli
Assistant Editor:
Federico Sottini
Assistant Production Design:
Vincenzo Aquilone
Boom Operator:
Marco Saveriano
Andrea Colaiacomo
Camera Operator:
Pietro Comini
Salvatore Landi
Casting:
Adele Gallo
Massimiliano Pacifico
Costume Design:
Antonella Mignogna
Digital Imaging Technician:
Federico Allegretta
Director:
Francesco Lettieri
Director of Photography:
Gianluca Palma
Editor:
Mauro Rodella
Executive Producer:
Giorgio Magliulo
Finance:
Stefano D'Avella
First Assistant Director:
Andrea Piazza
Foley Artist:
Mauro Eusepi
Foley Editor:
Marco Labruna
Gaffer:
Luca Sardini
Hair Department Head:
Daniela Tartari
Key Grip:
Aurelio Langella
Line Producer:
Giordano Esposito
Location Manager:
Raffaele Cortile
Makeup Department Head:
Dalia Colli
Original Music Composer:
Liberato
Producer:
Carlotta Calori
Nicola Giuliano
Francesca Cima
Production Coordinator:
Paola Ganzerli
Carla Borrelli
Production Design:
Marcella Mosca
Screenplay:
Peppe Fiore
Francesco Lettieri
Second Assistant Director:
Francesco Coppola
Giulia Emiliani
Mario Ricci
Set Decoration:
Elvira Borriello
Sound:
Vincenzo Urselli
Sound Editor:
Antonio Giannantonio
Sound Effects Editor:
Francesco Albertelli
Sound Mixer:
Sandro Rossi
Story:
Peppe Fiore
Francesco Lettieri
Storyboard Artist:
Davide De Cubellis
Stunt Coordinator:
Giorgio Antonini
Unit Manager:
Alessandro Elia
Walter De Majo
VFX Supervisor:
Rodolfo Migliari
Visual Effects Producer:
Lena Di Gennaro
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.