A work in constant progress (and occasional regress).
Release Date:
December 15, 2022
Original Title:
The Ultimate Oppa
Alternate Titles:
The Ultimate Oppa
Genres:
Comedy | Romance
Production Companies:
Group Eight
Reality Entertainment
Viva Films
Production Countries:
Philippines | South Korea
Ratings / Certifications:
FR: 16
Runtime: 108
Yana hates Filipino men. For her the perfect man is Moon Shiwoo, a dashing Korean actor from the K-dramas that she always watches. Yana's dream comes true when she flies to Korea to join fans from all over the globe to meet Moon Shiwoo in an exclusive fan event. During the event, the fans compete for the attention of the star, but Yana finds herself falling for Jae, the actor's manager, instead.
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Associate Producer:
Jung Min-jee
Glenn Mark Salamat
Creative Consultant:
Valerie S. Del Rosario
Director:
Hwang In-roe
Director of Photography:
Ha Jae-young
Lee Tae-sul
Editor:
Lee Eun-bi
Executive Producer:
Ronald Monteverde
Vic del Rosario Jr.
BJ Song
Erik Matti
Music Director:
BJ Song
Ryu Young-min
Producer:
Veronique del Rosario-Corpus
Vincent del Rosario III
Chang Jun-won
Screenplay:
BJ Song
Hong Yoon-hee
Hwang In-roe
Sound Designer:
BJ Song
Lee Young-soo
Supervising Producer:
Lee Bum-yun
Stacey Bascon
June Torrejon-Rufino
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.