A work in constant progress (and occasional regress).
Featuring:
Courteney Cox, David Arquette, David James Elliott
Written by:
Alison Balian
Joanna Johnson
Directed by:
Richard Benjamin
Release Date:
August 1, 2001
Original Title:
The Shrink Is In
Alternate Titles:
Un amor loco de atar
Genres:
Comedy | Romance
Production Companies:
Shrink Productions Inc.
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 87
A young woman impersonates a shrink to win over her Prince Charming.
Samantha, a travel writer suffering from claustrophobia, agoraphobia, and a whole host of other phobias, isn't exactly lucky in her romantic fate. But when her pshycologist suffers a major mental breakdown, she secretly poses as the missing shrink in an effort to turn Michael, her new neighbor, towards her and away from his girlfriend. Through her chase, Samantha meets the happy-go-lucky magazine salesman, Henry. What follows is a series of events that lead to the one question Samantha has to face: Is she thinking with her heart... or with her mind?
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ADR Editor:
Lee Lemont
Marc Deschaine
ADR Mixer:
Eric Thompson
Shawn Kennelly
Matthew C. Beville
ADR Recordist:
Thor Benitez
Pembrooke Andrews
Additional Construction:
Brandon Mullins
Additional Editing:
Kasandra Torres Cambas
Additional Hairstylist:
Sharon Rivera
Aerial Camera:
Richard Brooks Burton
Aerial Director of Photography:
David B. Nowell
Animal Wrangler:
Jeanine Barry
Scott Hart
Art Department Coordinator:
Melissa Mollo
Art Direction:
Gary Diamond
Assistant Location Manager:
Stevie Nelson
Assistant Makeup Artist:
Michele Teleis-Fickle
Assistant Production Coordinator:
Onni Vosdoganes
Assistant Property Master:
Michael P. Sweeney
Assistant Sound Editor:
Todd Egan
Associate Producer:
Neil Elman
Michelle Gan
Best Boy Electric:
Rick Maddux
Best Boy Grip:
Scott Hillman
Boom Operator:
Gabriel Cubos
Camera Loader:
Scott D. Smith
Camera Operator:
Michael Genne
Casting:
Nancy Foy
Casting Associate:
Diana Jaher
Co-Producer:
Warren Kohler
Alison Balian
Construction Coordinator:
Daniel Turk
Construction Foreman:
David Osterhout
Costume Assistant:
Lesli Lyn Carpenter
Costume Design:
Nancy Gould
Danielle King
Costume Supervisor:
Nancy Gould
Craft Service:
Michael Randolph
Tony Gomez
Director:
Richard Benjamin
Director of Photography:
Kenneth MacMillan
Dolly Grip:
Bryan Ashford
Editor:
Jacqueline Cambas
Electrician:
Richard Smock
Phelt Saucier
Carl A. Vidnic
Executive In Charge Of Production:
Richard Vane
Executive Producer:
Patrick J. Palmer
Devesh Chetty
Courteney Cox
Extras Casting:
Raquel Osborne
Film Processor:
Benjamin Schwartz
First Assistant Accountant:
Joann May
First Assistant Camera:
Nick Shuster
First Assistant Director:
Michael Cedar
First Assistant Editor:
Liza D. Espinas
Foley Artist:
Joan Rowe
Sean Rowe
Foley Supervisor:
Shawn Sykora
Gaffer:
Patrick Murray
Grip:
Richard A. Nasworthy
E. Dog Perez
Ron Ervin
Hair Assistant:
Diana Acrey
Hairstylist:
Edward St. George
Key Costumer:
P. Kay Morris
Key Grip:
Bobby Huber
Key Hair Stylist:
Patricia Gundlach
Vicky Phillips
Key Makeup Artist:
Vivian Baker
Key Set Production Assistant:
Dana Eller
Lead Painter:
Paul A. Minitello
Leadman:
Larry J. White II
Location Manager:
Patrick Mignano
Makeup Artist:
Beth Katz
Music Coordinator:
Scott Kleven
Music Editor:
Chris McGeary
On Set Dresser:
Adam Austin
Original Music Composer:
Marjorie Maye
David Lawrence
Payroll Accountant:
Steve Trombatore
Pilot:
Robert 'Bobby Z' Zajonc
Post Production Assistant:
Jeff Skinner
Post Production Consulting:
Joe Fineman
Post Production Supervisor:
Michael Toji
Producer:
Andrew Form
Tag Mendillo
Producer's Assistant:
Paul O. Davis
Stephanie Colopy
Production Accountant:
Desiree Killian
Production Coordinator:
Heidi S. Pavey
Production Design:
Charles William Breen
Production Illustrator:
Nikita Knatz
Production Office Assistant:
Ilko Drozdoski
David Paiko
Production Sound Mixer:
Richard Lightstone
Prop Maker:
Danny L. Turk
Timothy Joseph Turk
Donald L. Jimenez
Jeffery Joseph
Property Master:
Douglas Fox
Props:
China Iwata Fox
Scoring Mixer:
Guy Defazio
Script Supervisor:
Judi Townsend
Second Assistant Camera:
Steven Cueva
Second Assistant Director:
Mark S. Constance
Second Second Assistant Director:
Gregory Palmer
Set Costumer:
Courtney Kennedy
Set Decoration:
Jeffrey Kushon
Set Dresser:
Sara Gardner-Gail
Fred Paulsen
Set Medic:
Mark McRiley
Tris Rau
Set Production Assistant:
Shea Vargé
Scott Kirkley
Chad Marting
Shaun O'Banion
Sound Editor:
James L. Pearson
Bruce Barris
Steven F. Nelson
Anthony Milch
Kim Secrist
Alan Robert Murray
Steve Mann
Bruce Fortune
Sound Effects:
John Michael Fanaris
Daniel R. Chavez
Gary Blufer
Sound Engineer:
Carl D. Ware
Michael A. Morongell
Sound Re-Recording Assistant:
Andy Peach
Eddie Bydalek
Sound Re-Recording Mixer:
Chris David
Terry Rodman
Special Effects:
Kam Cooney
Steadicam Operator:
Jacques Jouffret
Still Photographer:
David Moir
Story:
Alison Balian
Stunt Coordinator:
Charles Croughwell
Stunts:
Jennifer Badger
Jake Lombard
Jake Brake
David Rowden
Randy Gordon
Gregg Smrz
Armando Guerro
Jim Stephan
Deborah Habberstad
Sonny Tipton
Jeff Habberstad
Supervising ADR Editor:
Becky Sullivan
Supervising Sound Editor:
Richard E. Yawn
Transportation Captain:
Tim Abbatoye
Transportation Coordinator:
Rick Mercier
Unit Production Manager:
Patrick J. Palmer
Writer:
Joanna Johnson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.