A work in constant progress (and occasional regress).
Release Date:
September 14, 2016
Original Title:
HAND. LINE. COD.
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 13
In the coldest waters surrounding Newfoundland's rugged Fogo Island, "people of the fish"—traditional fishers—catch cod live by hand, one at a time, by hook and line. After a 20-year moratorium on North Atlantic cod, the stocks are returning. These fishers are leading a revolution in sustainability, taking their premium product directly to the commercial market for the first time. Travel with them from the early morning hours, spend time on the ocean, and witness the intricacies of a 500-year-old tradition that's making a comeback.
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Additional Camera:
Nigel Markham
Justin Simms
Administration:
Leslie Anne Poyntz
Assistant Editor:
Chris MacIntosh
Cinematography:
Scott McClellan
Colorist:
Steve Cook
Director:
Justin Simms
Director of Photography:
Andrew MacCormack
Drone Operator:
Michael Frere
Editor:
Justin Simms
Andrew MacCormack
Executive Producer:
Annette Clarke
Foley:
Lise Wedlock
Legal Services:
Dominique Aubry
Musician:
Aaron Collis
Online Editor:
Steve Cook
Original Music Composer:
Ian Foster
Post Production Assistant:
Mylène Augustin
Producer:
Annette Clarke
Production Assistant:
Penny Cofield
Production Coordinator:
Kelly Davis
Sound Designer:
Catherine Van Der Donckt
Sound Re-Recording Mixer:
Serge Boivin
Technical Supervisor:
Jean-François Laprise
Transcriptions:
Willow Kean
Writer:
Justin Simms
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.