A work in constant progress (and occasional regress).
Release Date:
January 8, 2020
Original Title:
舞台『刀剣乱舞』ジョ伝 三つら星刀語り
Production Companies:
TOHO
Production Countries:
Japan
Ratings / Certifications:
N/A
2205 AD. "Historic revisionists," who seek to alter history, have launched an attack on the past. When confronting, the government dispatches "god of the deities" into the past to protect history. Created by the power of the priest who excites the heart of things, With their swords, the mourning gods, the "sword swordsmen," work with the priests to fight for history. Many years have passed since the Honmaru was built, and the swordsmen who have gone through numerous battles have grown strong. Many friends have now appeared on Honmaru, the first sword of Yamabagiri Kunihiro. One day, the life of the departure falls from the Lord. He started his career in the era of Odawara Seizoku, where the retrograde route had been blocked since the defeat of the past. They are then attacked by a mysterious sneak.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.