A work in constant progress (and occasional regress).
Release Date:
April 18, 2021
Original Title:
Eyimofe
Alternate Titles:
Eyimofe (This Is My Desire)
Eyimofe. Tego pragnę
Это мое желание
Genres:
Drama
Production Companies:
GDN Productions
Kimiera
Ominira Studios
Production Countries:
Nigeria
Ratings / Certifications:
CA: 14A
Runtime: 116
A man and a woman in Lagos want to escape their everyday lives, but extricating themselves is no easy task. Two stories narrated with tenderness and restraint that only fleetingly touch, the dream of migrating to Europe floating above them all the while.
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Additional Photography:
Daisy Zhou
Additional Sound Re-Recording Mixer:
Randy Matuszewski
Art Department Assistant:
Mustapha Abiola Azeez
Aina Olarenwaju
Art Department Trainee:
Ayobami Aribisala
Art Direction:
Abisola Olarenwaju Effiong
Assistant Makeup Artist:
Ajibola Mojisola
Assistant Property Master:
Abayomi Lawore
Best Boy Electrician:
Shola Ashola
Best Boy Grip:
Bayo Yusuf
Boom Operator:
Bolaji Gbolagade
Catering:
Isheri Kitchen
Colorist:
Keith Jenson
Costume Design:
Daniel Obasi
Dialogue Coach:
Nick Monu
Dialogue Editor:
Eric Di Stefano
Digital Conform Editor:
Jeff Cornell
Digital Intermediate Producer:
Kyle Casey
Dylan Puchala
Director:
Chuko Esiri
Arie Esiri
Director of Photography:
Arseni Khachaturan
Driver:
Patrick Obi Ekwulo
John Are
Idowu Asakula
Taiwo Shobode
Shina Adeyemi
Akanbi Derrick Dennis
Emeka Ogunkemi
Editor:
Andrew Stephen Lee
Editorial Production Assistant:
Michael Thurston
Luciana Siracusano
Editorial Services:
Pete Olshansky
Editorial Staff:
Fernanda Frotté
Effects Supervisor:
Victor Akpan
Electrician:
Adesola Ashola
Chukwuebuka Enejere
Executive In Charge Of Production:
Ezekiel Akhiromen
Executive Producer:
Toke Alex Ibru
First Assistant Camera:
Troy Dobbertin
Gaffer:
Daisy Zhou
Chad Dougherty
Graphic Designer:
Connor Simpson
Grip Production Assistant:
Mebinuaye Olusola
Hair Assistant:
Segun Olotu
Intern:
Ajibola Hakeem
Key Grip:
Nojeem Ajala
Key Hair Stylist:
Tunji Olofinlade
Key Makeup Artist:
Francisca Otaigbe
Key Production Assistant:
Faranpojo Afolake Moromoke
Leadman:
Dylan Brown
Legal Services:
Janine Beach
Godson Efeturi Ojonah
Location Coordinator:
Joseph Daodu
Adebowale Adedeji
Muri Sabili
Location Manager:
Bernard Awele
Makeup & Hair:
Francisca Otaigbe
Original Music Composer:
Akin Adebowale
Post Production Assistant:
Brittany Quickel
Nagham Osman
Producer:
Melissa O. Adeyemo
Arie Esiri
Chuko Esiri
Production Accountant:
Biola Sokenu
Samson Ojediran
Production Coordinator:
Ejike Okoye
Ella Utomi
Production Design:
Taisa Malouf
Production Driver:
Chidi Iheke
Umanah Idiong
Olaleye Tosin Oluwaseun
Afolabi James Olusoji
Production Intern:
Omoluwa Nyerhovwo
Production Office Coordinator:
Diane Shaibu
Project Manager:
Bryn Neuenschwander
Ashley Foy
Property Master:
Kola Adeniji
Script Supervisor:
Lilian Ukwu
Second Assistant "B" Camera:
Philey Sanneh
Second Assistant Camera:
Morgan Shane
Second Second Assistant Director:
Austine Lordlaz
Second Unit:
Ishola Emmanuel Ayodeji
Bayo Yusuf
Nojeem Ajala
Shola Ashola
Abisola Olarenwaju Effiong
Aina Olarenwaju
Adeniji Ayobami
Daniel Obasi
Damola Adeyemi
Lauretta Yemoja
Francisca Otaigbe
Tunji Olofinlade
Second Unit Cinematographer:
Cedric Cheung-Lau
Second Unit First Assistant Director:
Ndotenyin Godwin
Set Decoration:
Suja Ono
Set Production Assistant:
Ishola Emmanuel Ayodeji
Adebiyi Olumide
Sound:
Pius Fatoke
Sound Designer:
Randy Matuszewski
Sound Director:
Jay Rubin
Sound Effects Editor:
Giuseppe Cappello
Sound Mixer:
Pius Fatoke
Sound Supervisor:
Randy Matuszewski
Supervisor of Production Resources:
Gladys Tivka
Third Assistant Director:
Alan Oyadiji Moses
Temitope Joshua Adenokun
Transportation Coordinator:
Adaraniwon Olanrewaju Samuel
Visual Effects Designer:
Rob Bellon
Jamil Munoz
Wardrobe Assistant:
Daniel Okei
Laura Ugbegua
Wardrobe Master:
Damola Adeyemi
Writer:
Chuko Esiri
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.