A work in constant progress (and occasional regress).
Release Date:
August 24, 2022
Original Title:
Rumba la vie
Alternate Titles:
Rumba Terapia
Genres:
Comedy
Production Companies:
Gaumont
Production Countries:
France
Ratings / Certifications:
CH: 12 DE: 6 FR: U PT: M/12 RU: 16+
Runtime: 102
Tony is a macho middle-aged school bus driver in the provinces with no friends or relations. A sudden heart attack throws him into a tailspin. Tony's convinced he's going to die. When his cardiologist warns him : We all need others. Alone, we're nothing. Tony decides to reconnect with the daughter he abandoned twenty years earlier, when she was just a baby. Still a coward, he's unable to screw up the courage to actually confront her directly. So he decides to sign up for a dance class she's teaching in Paris. Incognito, of course. To get to know her gradually… in a desperate attempt to give some meaning to his empty life. In the process, he has more than a few dance steps to learn!
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ADR Recordist:
Fabien Devillers
Additional Grip:
Stéphane Ging
Jean-Yves Monier
Sophie Moulin
Charly Parthonnaud
Assistant Art Director:
Pascal Peignet
Assistant Decorator:
Léna Valero
Assistant Director Trainee:
Louise Fontaine
Assistant Editor:
Marion Hébrard
Assistant Location Manager:
Henri Laouari
Assistant Production Manager:
Morand Coline
Guillaume Fermaud
Candide Berger
Cécile Ganichaud
Hugues Sauvagnac
Assistant Unit Manager:
Paul Halaunbrenner
Elodie Lorquet
Boom Operator:
Pavel Kundera
Casting:
Coralie Amédéo
Casting Assistant:
Martha Le Nost
Hugo Rizzica
Choreographer:
Denitsa Ikonomova
Colorist:
Charles Fréville
Construction Buyer:
Alexandre Cottin
Construction Coordinator:
Paul Mauris-Blanc
Costume Design:
Isabelle Mathieu
Costumer:
Aurore Pageot
Helene Davoudian
Dialogue Editor:
Emile Caubel
Digital Compositor:
Adeline Roosz
Géraud Mottais
Director:
Franck Dubosc
Director of Photography:
Ludovic Colbeau-Justin
Dominique Fausset
Drone Cinematographer:
Elliott Carrasco
Drone Operator:
Jorge Escribens
Drone Pilot:
Brice Tholozan
Benjamin Lavayssière
Editor:
Samuel Danési
Electrician:
Perrine Lauras
Benoit Antoniotti
Damien Jousselin
Executive Producer:
Marc Vade
James Benjamin Shannon
Nora Chabert
Extras Casting:
Marie-France Michel
Salome Ameline
First Assistant "B" Camera:
Antoine Charveriat
First Assistant Camera:
François Chevreau
First Assistant Director:
Michaël Viger
Martin Pavlacky
First Assistant Editor:
Sarah Dumesnil
Foley Artist:
Florian Fabre
Grip:
Richard de Vadder
Louis Lemoine
Hair Department Head:
Silvine Picard
Hairstylist:
Laurent Caille
Key Grip:
Julien Monneret
Location Manager:
Florian Desmoulins
Raphaël Santarelli
Philippe Letode
Makeup Artist:
Sonia Bougouffa
Bénédicte De Lataillade
Nadine Bournazeau
Christine Giugno
Makeup Department Head:
Emilie Bourdet
Music Supervisor:
Valérie Lindon
Original Music Composer:
Sylvain Goldberg
Matteo Locasciulli
Post-Production Manager:
Nicolas Bassetto
Camille Cariou
Producer:
Sidonie Dumas
Bastien Sirodot
Cédric Iland
Production Assistant:
Coline Hieronimus
Production Design:
Arnaud Putman
Production Manager:
Nicolas Borowsky
Production Supervisor:
Valentine Kervagoret
Property Buyer:
Lisa Ashbrook
Property Master:
Nicolas Raffy
Rotoscoping Artist:
Lavesh Varma
Second Assistant Camera:
Sabine Rombaut
Second Assistant Director:
Arnaud Rivaille
Sound Editor:
Sébastien Marquilly
Sound Engineer:
Jean Minondo
Steadicam Operator:
Ramin Poursaid
Matthieu Lornat
Still Photographer:
Arnaud Borrel
Supervising Sound Editor:
Axel Steichen
Third Assistant Director:
Yacine Fougea
Joséphine Harel
Kelly Reynolds
Unit Manager:
Valentin Tourdjman
Visual Effects:
Fanny Bilani
Thibaut Granier
Visual Effects Producer:
Nicolas Lacroix
Visual Effects Supervisor:
Philippe Aubry
Writer:
Franck Dubosc
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.