A work in constant progress (and occasional regress).
Release Date:
October 18, 1987
Original Title:
Сеанс
Genres:
Drama
Production Countries:
Soviet Union
Ratings / Certifications:
N/A
Runtime: 10
Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.