A work in constant progress (and occasional regress).
Release Date:
January 8, 2020
Original Title:
The 11th Green
Genres:
Drama | History | Science Fiction
Ratings / Certifications:
N/A
Runtime: 108
A respected journalist uncovers the truth behind the mythology of President Eisenhower's long-alleged involvement in extraterrestrial events.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Hairstylist:
Brenda Anders
Alicia Zuniga
Monroe James
Additional Music:
John Hancock
Art Department Assistant:
Jesse Bentley
Casting:
Tineka Becker
Cinematography:
Sara Garth
Colorist:
Pat Fitzgerald
Costume Design:
Dandi Dewey
Kristen Anacker
Costumer:
Vikki Paschetto
Edna Jones
Jaime Nikoletich
Director:
Christopher Munch
Dolly Grip:
Joaquin Cruz
Editor:
Nat Carter
Curtiss Clayton
Executive Producer:
Jim Stark
Linda Brown
First Assistant Camera:
Nacia Schreiner
First Assistant Director:
Darius Siwek
Foley Artist:
Rick Owens
Foley Mixer:
Greg Mauer
Gaffer:
Jeremy Bolden
Grip:
Jose Vides
Hair Designer:
Cetine Dale
Key Grip:
Jeremy Bolden
Makeup Artist:
Maryann Yee
Makeup Designer:
Cetine Dale
Original Music Composer:
Mark Orton
Painter:
Roger B. Henry
Producer:
Christopher Munch
Valeria Lopez
Production Design:
Jennifer M. Gentile
Props:
Shen Heckel
Nicholas Bertolas
Score Engineer:
Mark Orton
Script Supervisor:
Melanie Lavender
Set Decoration:
Allison Fry
Justin Ryan Brown
Abigail Childs
Set Dresser:
Nicholas Bertolas
Sound Designer:
Fredrick Helm
Sound Editor:
Brian O'Hara
Sound Mixer:
Nicolás Osorio
Gary Millus
William A. White
Fredrick Helm
Sound Re-Recording Mixer:
Mark A. Rozett
Stunt Coordinator:
Dennis Madalone
Unit Production Manager:
Alex Coffey
Writer:
Christopher Munch
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.