Home

The Peacemaker (1997) [R]

Release Date:
September 26, 1997

Original Title:
The Peacemaker

Alternate Titles:
Fredsmegleren
Mirotvorac
Mirovnik
Peacemaker
Peacemaker - Mierotvorca
Rahutegija
Rauhantekijä
Taikdarys
Миротворецът
和平制造者 / 战略杀手 / 和平缔造者 / 末日戒备
末日戒備
피스메이커

Genres:
Action | Thriller

Production Companies:
DreamWorks Pictures

Production Countries:
United States of America

Ratings / Certifications:
BR: 14  CA: 14A  CH: 16  CZ: 12+  DE: 16  FR: TP  GB: 15  GR: 16  HU: 16  IE: 18  KR: 15  NL: 12  PL: 16  SE: 15  US: R 

Runtime: 124

In the fall of 1997, every nuclear device in the world will be accounted for...except one.

Overview from TheMovieDB

When a train carrying atomic warheads mysteriously crashes in the former Soviet Union, a nuclear specialist discovers the accident is really part of a plot to cover up the theft of the weapons. Assigned to help her recover the missing bombs is a crack Special Forces Colonel.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

3D Modeller:
Stephen Sobisky

ADR Editor:
Mary Andrews

ADR Mixer:
Robert Farr

ADR Recordist:
Rick Canelli

Accountant:
Josip Boljkovac

Additional Casting:
Will Cantler

Additional Photography:
Jorge Sánchez

Additional Production Assistant:
Tom Swift

Additional Sound Re-Recording Mixer:
Adam Sawelson

Armorer:
Branko Repalust

Art Department Coordinator:
Shawn Carroll

Assistant Accountant:
Sherrie Bradshaw

Assistant Art Director:
Ivan Bartling

Assistant Camera:
Ivica Katona

Assistant Chief Lighting Technician:
Walter Bithell

Assistant Costume Designer:
Lynn Hoffman

Assistant Editor:
Alan Bezak

Assistant Location Manager:
Robert Naskov

Assistant Production Coordinator:
Kerin Ferallo

Assistant Property Master:
Marko Lasic

Assistant Sound Engineer:
Bruno Roussel

Best Boy Electric:
Dean Brkic

Best Boy Grip:
George W. Borthwick

Boom Operator:
Keith Batten

Carpenter:
John F. McHugh

Casting:
Leo Davis
Risa Bramon Garcia
Randi Hiller

Casting Associate:
Sarah Halley Finn

Clapper Loader:
Dejan Dimeski

Co-Executive Producer:
John Wells

Co-Producer:
Andrew Cockburn
Pat Kehoe
Leslie Cockburn

Color Timer:
Bob Putynkowski

Conductor:
Gavin Greenaway

Construction Coordinator:
John Grimolizzi

Construction Foreman:
Malcolm Reid

Costume Supervisor:
Shelley Komarov

Dialect Coach:
Constantine Gregory

Dialogue Editor:
Patrick J. Foley

Digital Effects Supervisor:
David Sosalla

Director:
Mimi Leder

Director of Photography:
Dietrich Lohmann

Dolly Grip:
Audie Aragon

Editor:
David Rosenbloom

Electrician:
Petar Bogoeski

Executive Producer:
Michael Grillo
Laurie MacDonald
Kevin Bernhardt

First Assistant Camera:
Geb Byers

First Assistant Director:
J. Stephen Buck

First Assistant Editor:
Paul Cichocki

First Assistant Sound Editor:
Jeanine Payne

Focus Puller:
Branko Knez

Foley Artist:
Hilda Hodges

Foley Mixer:
Mary Jo Lang

Foley Recordist:
Carolyn Tapp

Foley Supervisor:
Jeff Rosen

Gaffer:
Jono Kouzouyan

Graphic Designer:
Addison Pettit

Grip:
Ivan Fujak

Hair Designer:
Alan D'Angerio

Hairstylist:
Maja Lojanova

In Memory Of:
Nick Middleton

Key Grip:
Sal Lanza

Key Hair Stylist:
Waldo Sanchez

Leadman:
John Naehrlich

Location Assistant:
Eve Applebaum

Location Manager:
Antoine Douaihy

Makeup Artist:
Beatrix Dollingerová

Makeup Supervisor:
Rolf John Keppler

Music Coordinator:
Maggie Rodford

Music Editor:
Adam Milo Smalley

Orchestrator:
Bruce Fowler

Original Music Composer:
Hans Zimmer

Picture Car Coordinator:
Dennis Marchant

Post Production Coordinator:
Lisa Marie Serra

Post Production Supervisor:
Bradley M. Goodman

Producer:
Branko Lustig
Walter F. Parkes

Production Accountant:
Rudolf Fricman

Production Assistant:
Paul Monteiro

Production Controller:
Jim Turner

Production Coordinator:
Jason Heapy

Production Design:
Leslie Dilley

Production Manager:
Dragan Josipovic

Production Secretary:
Christine V. Desrochers

Production Sound Mixer:
Tom Nelson

Property Master:
Batia Grafka

Scenic Artist:
Bruce G. Smith

Screenplay:
Michael Schiffer

Script Supervisor:
Lynne Twentyman

Second Assistant Camera:
Deborah Brozina

Second Assistant Sound:
Melissa Lytle

Second Second Assistant Director:
Jeffrey T. Bernstein

Second Unit Director:
Conrad E. Palmisano

Security:
Avi Korein

Set Costumer:
Deirdra Elizabeth Govan

Set Decoration:
Rosemary Brandenburg
Constantin Nikolic

Set Designer:
Josh Lusby

Set Dressing Artist:
Nenad Drljaca

Set Production Assistant:
Nada Krupalova

Sound Effects Editor:
Christopher S. Aud

Sound Mixer:
Tomislav Fogec

Sound Recordist:
Philip Rogers

Special Effects Coordinator:
Martin Gutteridge

Special Effects Supervisor:
Garth Inns

Special Effects Technician:
Ian Biggs

Special Sound Effects:
Mark L. Mangino

Still Photographer:
Myles Aronowitz

Storyboard Artist:
David Lowery

Stunt Coordinator:
G.A. Aguilar
Gustáv Kyselica

Stunt Double:
Michael Sandala
Garry Pastore
Brad Martin
Dana Hee

Stunt Driver:
Honza Klima
Josef Farkas

Stunts:
Brian Smyj
Jodi Michelle Pynn
Monika Fišerová
Matthew R. Anderson
Kerry McCullen Palmisano
Debbie Greg
Marina Federico
Jill Brown
Dana Bertolette

Supervising ADR Editor:
Larry Singer

Supervising Sound Editor:
J. Paul Huntsman

Technical Advisor:
Richard Chuang

Technical Supervisor:
Patrick Phillips

Transportation Co-Captain:
Timothy Galway

Underwater Camera:
Mike Valentine

Unit Manager:
Brano Jehlar

Unit Production Manager:
Pat Kehoe

Unit Publicist:
Robert Werden

Utility Stunts:
Marek Toth

Visual Effects Editor:
Paul Cichocki

Visual Effects Supervisor:
Michael Backes

Wardrobe Assistant:
Henrietta Gregorova

Wigmaker:
Peter Owen

Writer:
Kevin Bernhardt

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.