A work in constant progress (and occasional regress).
Featuring:
Seymour Cassel, Carol Kane, Jon Voight
Written by:
Charles Kiselyak
Directed by:
Charles Kiselyak
Release Date:
January 1, 2000
Original Title:
A Constant Forge
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 200
One of the great mavericks of cinema, John Cassavetes has earned a reputation as the godfather of American independent movies. The actor-turned-filmmaker invented a realist style of unadorned narrative films heavily influenced by documentaries. This in-depth analysis of Cassavetes' life and work features interviews with key collaborators and ensemble regulars, and explores the making of classics like "The Killing of a Chinese Bookie," "Opening Night" and "A Woman Under the Influence."
A long look at John Cassavetes's films, life (1929-1989), and exploration of how people love. The documentary is composed of Cassavetes's words spoken by an off-screen narrator, clips from his films, photos and clips of him on and off the set, and family, friends, and colleagues talking about his films and what it was like to work with him. The movie explores his focus on emotion, the way he drew out actors, his collaborative process, his energy and joie de vivre, his serious purposes, and the meaning and lasting impact of his work: how adults behave, interact, and seek love rather than how a plot works out.
Director:
Charles Kiselyak
Editor:
Denise Cochran
Executive Producer:
Jim McGowan
Charles Kiselyak
Denise Cochran
Hairstylist:
Marjolein Hermans
Original Music Composer:
Bo Harwood
Producer:
Charles Kiselyak
Producer's Assistant:
Scott Bardolf
Sound:
David Gaffney
Brian Murphy
Henri Campo
Dave Amomoto
K.C. Clayton
David Pliskin
Bei Sound
Gar Robertson
Sound Re-Recording Mixer:
Mark A. Rozett
Writer:
Charles Kiselyak
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.