Operation Mincemeat (2022) [PG-13]

Release Date:
April 1, 2022

Original Title:
Operation Mincemeat

Alternate Titles:
El arma del engaño
La Ruse
Operace Mincemeat
Operācija 'Mincemeat'
האיש שלא היה: הסיפור האמיתי של מבצע קציצה
พลิกแผนรบลวงโลก
オペレーション・ミンスミート -ナチを欺いた死体-
オペレーション・ミンスミート ナチを欺いた死体
全謊位作戰

Genres:
Drama | History | War

Production Companies:
A Film Location Company
Archery Pictures
Cohen Media Group
Cross City Films
FilmNation Entertainment
Haversack Films Limited
Palma Pictures
See-Saw Films

Production Countries:
Australia | Spain | United Kingdom | United States of America

Ratings / Certifications:
AU: M  BR: 14  DE: 12  DK: 11  ES: 12  FI: K-12  FR: U|10  GB: 12A|12  GR: K12  HK: IIA  IE: 12A  KR: 12  NZ: M  PT: M/12  RU: 18+  SG: M18  US: PG-13 

Runtime: 128

Deception. The greatest weapon in war.

In 1943, two British intelligence officers concoct Operation Mincemeat, wherein their plan to drop a corpse with false papers off the coast of Spain would fool Nazi spies into believing the Allied forces were planning to attack by way of Greece rather than Sicily.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Art Direction:
Keith Slote
Tom Coates

Book:
Ben Macintyre

Co-Producer:
Peter Heslop
Nicky Earnshaw

Costume Design:
Andrea Flesch

Director:
John Madden

Director of Photography:
Sebastian Blenkov

Editor:
Victoria Boydell

Executive Producer:
Christian McLaughlin
Simon Gillis

Original Music Composer:
Thomas Newman

Producer:
Charles S. Cohen
Iain Canning
Emile Sherman
Kris Thykier

Production Design:
John Paul Kelly

Set Decoration:
Linda Wilson

Sound Effects Editor:
Phil Lee

Sound Re-Recording Mixer:
Tim Cavagin
Max Walsh

Supervising Sound Editor:
Ian Wilson

Writer:
Michelle Ashford

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.