A work in constant progress (and occasional regress).
Release Date:
July 4, 2005
Original Title:
UFO: Strangers In The Night: The Ultimate Critical Review
Alternate Titles:
The Worlds Greatest Albums Strangers In The Night
Genres:
Music
Production Companies:
Art House Classics Ltd
Ratings / Certifications:
N/A
Runtime: 51
Strangers In The Night is one of the greatest rock albums of all time. Here are all of the reasons why. Featuring rare previously unreleased footage of UFO in concert, this is the long awaited critical review of the album in the company of UFO founder member, the legendary Pete Way. Pete revisits the album after a gap of twenty-five years in the company of some of the UK s leading rock critics and working musicians including fellow UFO member Jem Davis. This powerful film is the definitive portrait of a under rated masterpiece. Featured cuts include a rare promotional film for Only You Can Rock Me. Also included is rare live film of the band performing as a four piece shortly after Michael Schenker joined the band. Never before released on DVD these tracks are included in their entirety as a marvellous record of UFO live onstage at a time when the band was beginning to emerge as a true rock phenomenon.
Assistant Production Manager:
Jayne Anderson
Rachael Griffiths
Jerry Bloom
Camera Operator:
Martin Braithwaite
Sam Dewhurst
Sam Dewhurst
Director:
Chris Gormlie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.