A work in constant progress (and occasional regress).
Release Date:
November 19, 2020
Original Title:
El baile de los 41
Alternate Titles:
41 Kişilik Dans
Bal czterdziestu jeden
Dance of the 41
Dansul celor 41
De 41 danserne
Der Ball der 41
En dans för 41
Il ballo dei 41
Le Bal des 41
O Baile dos 41
Ο Χορός των 41
Танец сорока одного
ダンス・オブ・41
Genres:
Drama | History
Production Companies:
Bananeira Filmes
Canal Brasil
Canana
EFD
El Estudio
Labo
Telecine
Production Countries:
Brazil | Mexico
Ratings / Certifications:
BR: 16 DE: 16 FR: 16 GB: 18 GR: 16+ JP: R18+ PL: 16 RO: 18 US: NR
Runtime: 99
Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.
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Art Direction:
Mary Ann Smith
Angela Leyton
Director:
David Pablos
Director of Photography:
Carolina Costa
Editor:
Soledad Salfate
Executive Producer:
Monika Revilla
Original Music Composer:
Carlo Ayhllón
Producer:
Pablo Cruz
Marta Núñez Puerto
Arturo Sampson
Production Design:
Daniela Schneider
Screenplay:
Monika Revilla
Set Designer:
Daniela Gallo
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.