A work in constant progress (and occasional regress).
Release Date:
December 25, 2019
Original Title:
Jak zostałem gangsterem. Historia prawdziwa
Alternate Titles:
How I Became a Gangster
วิถีมาเฟีย
Genres:
Action | Crime
Production Companies:
Cyfrowy Polsat
Feniks Projekt
MBC Trans
Moderator Inwestycje
Next Film
Oak Hotels
Open Mind Production
Polkomtel
Polsat
Production Countries:
Poland
Ratings / Certifications:
FR: 18 GR: K18 IE: 18 PL: 16 RO: 18+ SG: R21
Runtime: 140
The action of the film begins in the 1970s – even then, the young protagonist knows that adrenaline tastes better than powdered milk. Over time, he also discovers a desire for money, power, and being above the law. A transformation begins, and his gangster talent blossoms. Together with a friend, they build their own army.
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Accountant:
Anita Włodarek
Jolanta Nowak
Additional Music:
Mateusz Schmidt
Administration:
Katarzyna Karaś
Assistant Director:
Gniewko Falana
Assistant Editor:
Magdalena Surawska
Assistant Production Manager:
Zofia Kochan
Katarzyna Karaś
Assistant Set Designer:
Natalia Dobrzańska
Boom Operator:
Michał Matlak
Tomasz Dobrzeniecki
Mikołaj Tyrakowski
Rafał Lenart
Casting:
Konrad Bugaj
Paweł Czajor
Joanna Ślesicka
Casting Assistant:
Aleksander Calski
Co-Producer:
Robert Kijak
Marcin Ciołek
Sebastian Kwiatkowski
Rafał Biernacik
Costume Assistant:
Anna Krzyżanowska
Katarzyna Woynowska-Szeląg
Costume Design:
Katarzyna Lewińska
Dialogue Editor:
Mateusz Tkaczyk
Ewa Wrzesińska
Michał Bagiński
Director:
Maciej Kawulski
Director of Photography:
Bartek Cierlica
Editor:
Marcin Drewnowski
Maciej Kawulski
Foley Recordist:
Jacek Wiśniewski
Grip:
Andrzej Dutkiewicz
Krzysztof Janowski
Waldemar Matynia
Marek Rumak
Daniel Michalak
Szymon Polak
Paweł Magolon
Arkadiusz Rocki
Hairstylist:
Renata Zając
Health and Safety:
Wojciech Konkol
Makeup Artist:
Karolina Kordas
Anna Ampulska
Makeup Effects:
Mirosław Bartosik
Karolina Kordas
Music Consultant:
Magdalena Niestryjewska
Roch Poliszczuk
Producer:
Maciej Kawulski
Tomasz Wardyn
Production Design:
Marek Warszewski
Wojciech Czapla
Production Manager:
Andrzej Besztak
Props:
Mariusz Kowalski
Public Relations:
Joanna Jakubik
Marta Marczak
Aleksandra Karbowiak-Dajewska
Marcin Kurowski
Dominik Durniat
Anna Malinowska
Pyrotechnician:
Bartłomiej Stępniak
Fabian Stępniak
Dariusz Łoboda
Rafal Supranionek
Set Decoration:
Anna Marzęda
Sound:
Marcin Matlak
Sound Director:
Marcin Kasiński
Kacper Habisiak
Sound Effects Editor:
Filip Krzyżykowski
Alicja Zuń
Special Effects:
Tomasz Bykowski
Special Props:
Jakub Bossowski
Steadicam Operator:
Jaromír Kalina
Still Photographer:
Paweł Jaszczuk
Stunt Coordinator:
Tomasz Krzemieniecki
Stunts:
Damian Dąmbski
Krzysztof Krzemieniecki
Aleksandra Krzemieniecka
Sebastian Kamiński
Kajetan Miros
Hubert Kostrzewa
Writer:
Krzysztof Gureczny
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.