A work in constant progress (and occasional regress).
Release Date:
December 15, 1996
Original Title:
To Love, Honor and Deceive
Genres:
Drama | Mystery | TV Movie | Thriller
Production Companies:
Multicom Entertainment Group
Robert Greenwald Productions
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 94
Sydney Carpenter is a devoted mother to her young son, and is now accustomed to the puzzling existence of her mysterious, non-communicative husband, Matthew. When her husband and son are suddenly lost at sea after a boating accident, Sydney's comfortable existence is shattered. Although overwhelmed by her grief, Sydney cannot ignore the strange pieces from her husband's past that continue to make their way into the present.
Assistant Editor:
Steven Lang
Assistant Production Coordinator:
Tiffany Becker
Assistant Property Master:
Chuck Bludsworth
Associate Producer:
Patricia Saphier
David Rosenfelt
Best Boy Electric:
Barry Daniels
Best Boy Grip:
Michael Crimi
Boom Operator:
Bryant Grizzell
Casting:
Mary Jo Slater
John A. Aiello
Co-Producer:
Michael W. Stroud
Costume Designer:
Christine Peters
Costume Supervisor:
Mellissa Berry
Costumer:
Mindy Gantt Bass
Director:
Michael W. Watkins
Director of Photography:
Michael D. O'Shea
Dolly Grip:
Derek Miller
Editor:
Peter B. Ellis
Executive Assistant:
Wes Johnson
Diane Freeman
Scott Donovan
Ron Greenstein
Executive Producer:
Kimberly Rubin
Robert Greenwald
Extras Casting Coordinator:
Sue Liberman
First Assistant Camera:
Erin-Bruce Cook
First Assistant Director:
Marty Elcan
Gaffer:
Jack S. Schlosser
Key Grip:
Joseph 'Bruno' Pelle
Key Hair Stylist:
Rita Parillo
Key Makeup Artist:
Don Malot
Leadman:
Leonard R. Spears
Jim Gloster
Location Coordinator:
Elizabeth Missan Yost
Location Manager:
Wendy Fishman
Music Editor:
Ruth Bird
On Set Dresser:
Shannon M. Brice
Original Music Composer:
Brian Adler
Post Production Supervisor:
Brad Gordon
Producer:
Philip K. Kleinbart
Producer's Assistant:
Lily Takanashi
Production Accountant:
Maggie Means
Production Coordinator:
Carol Ann Thomas
Production Design:
Diane Hughes
Production Manager:
Philip K. Kleinbart
Property Master:
Ivi Bilich
Screenplay:
David Rosenfelt
Script Supervisor:
Christine Moore
Second Assistant Camera:
Robert Schierer
Second Assistant Director:
Tony Schwartz
Set Decoration:
Summer Eubanks
Sound Mixer:
Don Summer
Special Effects Coordinator:
Mike Bivens
Supervising Sound Editor:
Al Decker
Mark Linden
Transportation Coordinator:
Al Hamilton
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.