A work in constant progress (and occasional regress).
Featuring:
Robert Douglas, Helen Westcott, Robert Alda
Written by:
William Sackheim
Directed by:
Felix Jacoves
Release Date:
April 2, 1949
Original Title:
Homicide
Genres:
Crime
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 77
Michael Landers, a police lieutenant, sets out to investigate an intricate murder case. But, the case is closed after the only witness is found dead. Will Michael be able to fathom the mystery?
Detective Landers (Robert Douglas), of the Los Angeles Homicide Bureau, suspects murder when the body of a transient ranch hand is found in a sleazy Los Angeles hotel. Unable to be assigned officially to the case , Landers takes off on "vacation", and goes to the swanky Glorietta Springs Hotel, a book of matches with that logo having been found at the scene of the murder, but ruled by the coroner as suicide. Other clues he has is a bad hangman's knot and a saccharin pill. There, he meets the bartender, Andy (Robert Alda), and the cigarette girl, Jo Ann Marlowe (Helen Westcott.) Following a tip from Jo Ann, he goes to a nearby ranch where the "accidental" death of the owner had recently occurred. He finds a piece of telephone wire, tracks it back and finds it leads to Andy's room at the Gloriette Springs hotel. He also learns that Andy had a medical discharge from the Navy as a diabetes sufferer. Troubles and complications and an ambush follow.
Art Direction:
Hugh Reticker
Assistant Director:
Elmer Decker
Camera Operator:
Wesley Anderson
Director:
Felix Jacoves
Director of Photography:
J. Peverell Marley
Editor:
Thomas Reilly
Gaffer:
Ralph Owen
Makeup Artist:
Perc Westmore
Joe Hadley
Orchestrator:
Charles Maxwell
Original Music Composer:
William Lava
Producer:
Saul Elkins
Production Manager:
Don Alvarado
Script Supervisor:
Alma Young
Set Decoration:
George Southam
Sound:
Stanley Jones
Still Photographer:
Eugene Richee
Stunts:
Harvey Parry
Sol Gorss
George DeNormand
Writer:
William Sackheim
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.