A work in constant progress (and occasional regress).
Release Date:
September 7, 2020
Original Title:
Grandma Dearest
Alternate Titles:
A Family to Kill For
Deranged Granny
Genres:
TV Movie | Thriller
Production Companies:
Imoto Productions
Production Countries:
United States of America
Ratings / Certifications:
BR: 14
Runtime: 87
Barbara wants nothing more than to be a grandmother. When her son, Ethan, meets Kendall, a divorced mother of two, Barbara quickly becomes an ever-present force in their lives. Unannounced visits escalate to murder, and Barbara will do anything to protect her relationship with her grandchildren. With her life in danger, Kendall must outsmart her mother-in-law to save her children and expose Barbara for who she really is… before it’s too late.
Best Boy Electric:
Chris Ginnaven
Boom Operator:
Speed Ratliff
Matt McGowin
Camera Operator:
Majd Mazin
Casting:
Lindsay Chag
Costume Design:
Jennifer Garnet Filo
Costume Supervisor:
Yuan Yuan Liang
Director:
Jennifer Liao
Director of Photography:
Senda Bonnet
Editor:
Thijs Bazelmans
Electrician:
Andrew Soltay
Executive Producer:
Amanda J. Strachan
First Assistant Director:
David Marion
Gaffer:
Sven Van Ostrand
Key Grip:
Alexander Barrett
Key Makeup Artist:
Penelope Irwin
Amanda Sharp
Leadman:
Jason Carr
Mike Kavanaugh
Location Manager:
John Dilbeck
Makeup Department Head:
Kristin Forgy
Original Music Composer:
Aiko Fukushima
Producer:
Stephanie Rennie
Production Coordinator:
Saniya Mulikova
Production Design:
Tara Tosten
Production Supervisor:
Albee Zhang
Property Master:
Julian Brown
Script Supervisor:
Laramie Dennis
Second Assistant Camera:
Annie Fuentes
Second Assistant Director:
Christopher Villalba
Sound Mixer:
Marcus Ricaud
Studio Teacher:
Hannah Choi
Stunt Coordinator:
Tim Mikulecky
Writer:
Vicky L. Neal
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.