A work in constant progress (and occasional regress).
Release Date:
August 28, 2012
Original Title:
Mussorgsky: Khovanshchina
Genres:
Music
Production Companies:
EuroArts
Ratings / Certifications:
N/A
Runtime: 172
Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!
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Director:
Dmitri Tcherniakov
Karina Fibich
Lighting Design:
Gleb Flishtinsky
Music:
Modeste Moussorgsky
Stage Director:
Dmitri Tcherniakov
Writer:
Modeste Moussorgsky
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