A work in constant progress (and occasional regress).
Release Date:
November 4, 2019
Original Title:
American Christmas
Genres:
Comedy | TV Movie
Production Companies:
Safier Entertainment
Production Countries:
United States of America
Ratings / Certifications:
US: R
It took another ruined Christmas dinner to make Martha finally realize: her kids are jerks. Daughter, Penny is a 42-year old bully who's still letting Prom Queen go to her head. Son, Danny, 57 is a scam artist who owes the state more than he could sell his organs for. To top it off, Martha's husband has washed his hands of the whole mess. While she's sweeping up the shattered china, he's upstairs watching "It's a Wonderful Life" in his underwear. But this Christmas, Martha has had enough. With the help of her grandson, Sully, Martha is determined to make each of her family members face their ghosts of Christmas past. Will three surprise guests inspire them to turn their lives around? Or will this gift be a Pandora's Box you can't re-wrap? And what happens when Martha gets a taste of her own Christmas medicine? Find out whether Martha's plans will bring her family together or truly tear them all apart. Either way it is sure to be A Very Odd Christmas.
Assistant Editor:
Jason Baustin
Associate Producer:
Elizabeth Herron
Cinematography:
Franklin Guerrero Jr.
Matthew A. Miller
Co-Producer:
Jenn Page
Costume Supervisor:
Suzan Berberian
Digital Imaging Technician:
Jason Baustin
Director:
Jaymes Camery
Editor:
Jaymes Camery
Executive Producer:
Tara Reid
Dawn Wells
First Assistant Camera:
Carl Pennington
First Assistant Director:
Lucas Boger
Gaffer:
Sam Mosco
Grip:
Conor Daniel Soules
Zach Trout
Zachary Bartlett
Makeup Department Head:
Malia Miglino
Music:
Erick Schroder
Music Supervisor:
Jennifer Smith
Producer:
Steven Carter
Leonard Carter
Karen Baughn
Jared Safier
Ben Solenberger
Production Assistant:
Samuel Martin Lewis
Script Supervisor:
Letty Carter
Second Assistant Director:
Brandon Poller
Set Costumer:
Shayna Frederick
Sound Mixer:
Nathan Ruyle
Supervising Sound Editor:
Nathan Ruyle
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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