A work in constant progress (and occasional regress).
Release Date:
November 26, 2020
Original Title:
Земля блакитна, ніби апельсин
Alternate Titles:
A Terra É Azul como uma Laranja
Jorden är blå som en apelsin
The Earth Is Blue As An Orange
Zeme ir zila kā apelsīns
Zemlia Blakytna niby Apel'syn
Zemlja je plava poput naranče
Ziemia jest niebieska jak pomarańcza
Жовтий автобус
Земля блакитна, мов апельсин
Земля блакитна, наче апельсин
Genres:
Documentary
Production Companies:
Albatros Communicos
Moonmakers
Production Countries:
Lithuania | Ukraine
Ratings / Certifications:
N/A
Runtime: 74
Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.
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Additional Editing:
Danielius Kokanauskis
Associate Producer:
Andrėja Čebatavičiūtė
Color Grading:
Jonas Sunklodas
Director:
Iryna Tsilyk
Director of Photography:
Viacheslav Tsvietkov
Editor:
Iryna Tsilyk
Ivan Bannikov
Line Producer:
Olena Yakovitska
Producer:
Giedrė Žickytė
Anna Kapustina
Screenplay:
Iryna Tsilyk
Sound Designer:
Jonas Maksvytis
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.