A work in constant progress (and occasional regress).
Release Date:
January 25, 2020
Original Title:
Be Water
Alternate Titles:
Be Water Bruce Lee Documentry
Bruce Lee: Be Water
Genres:
Documentary
Production Companies:
Dorothy St Pictures
ESPN
East Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
N/A
Runtime: 105
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.
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Additional Editor:
Caroline Hodge
Kel McKeown
Assistant Camera:
Rob Agulo
Harry Heng
Coburn Erskine
Greg Hulrich
Sarah Simka Jaffe
Jacques Lorch
Nobuyoshi Sakurai
Assistant Editor:
Calif Chong
Associate Producer:
Eve Wulf
Brian D'Ostilio
Colorist:
Andrew Daniel
Dialogue Editor:
Nas Parkash
Director:
Bao Nguyen
Director of Photography:
Caleb Heller
Editor:
Graham Taylor
Executive Producer:
John Dahl
Connor Schell
Fergus Haycock
Libby Geist
Rob King
Gaffer:
Rapha Bola
Music:
Goh Nakamura
Tôn Thất An
Music Supervisor:
Phil Canning
Musician:
Paul Dateh
Art Hirahara
Post Production Producer:
Emma Comans
Producer:
Jenna Anthony
Marquis Daisy
Kristen Lappas
Julia Nottingham
Bao Nguyen
Erin Leyden
Gentry Kirby
Adam Neuhaus
Production Assistant:
Carolyn Mao
Derwin Graham
Nick Walker
Brianna Brydsong
Arthur Sharples
Trevor Gill
Christian Smith
Lucy Saephan
Production Manager:
Laura Jones
Lorine Plagnol
Will Hulse
Sound Effects Editor:
Tom Foster
Sound Re-Recording Mixer:
Nas Parkash
Sound Recordist:
Jim Choi
Delroy Cornick
Thanks:
Jeff Chang
Sam Ho
Quoc Bao Tran
Matthew Polly
Robert Chua
Jeff Chin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.