A work in constant progress (and occasional regress).
Release Date:
October 21, 2020
Original Title:
Adieu les cons
Alternate Titles:
Adeus, Idiotas
Adieu Les Cons
Adieu les cons
Adiós, Idiotas
Adiós, idiotas
Bye Bye Morons
Elég a hülyékből
Farväl fårskallar
Shalom ve'Lo Lehitraot
Żegnajcie, głupcy
Αντίο, Ηλίθιοι
Відчайдушні втікачі
Сбогом, глупаци
Счастливо оставаться
寻子奇情录
拜拜笨蛋
消废者联盟
消廢者聯盟
蠢蛋告別式
Genres:
Comedy | Drama
Production Companies:
ADCB Films
CNC
Canal+
Ciné+
Entourage Pictures
France 2
France Télévisions
Gaumont
La Région Île-de-France
Manchester Films
Mikros Image
Production Countries:
France
Ratings / Certifications:
BE: 12 BR: 14 CH: 12 DE: 16 ES: 12 FR: TP GB: 12A|12 GR: Κ-12 IL: הותר לכל הגילאים KR: 15 LU: 12 NL: 12 PL: 16 RU: 18+ SE: 11
Runtime: 87
When 43-year-old hairdresser Suze Trappet finds out that she's seriously ill, she decides to go looking for a child she was forced to abandon when she was only 15. On her madcap bureaucratic quest she crosses paths with JB, a 50-year-old man in the middle of a burnout, and Mr. Blin, a blind archivist prone to overenthusiasm. The unlikely trio set off on a hilarious and poignant helterskelter journey across the city in search of Suze's long-lost child.
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Casting:
David Bertrand
Costume Design:
Mimi Lempicka
Director:
Albert Dupontel
Director of Photography:
Alexis Kavyrchine
Editor:
Christophe Pinel
First Assistant Camera:
Stéphane Martin
First Assistant Editor:
Carlos Pinto
Gaffer:
Michel Sabourdy
Key Grip:
Pierre-Loup Corvez
Original Music Composer:
Christophe Julien
Producer:
Catherine Bozorgan
Production Design:
Carlos Conti
Script Supervisor:
Christelle Meaux
Second Assistant Camera:
François Comparot
Sound Engineer:
Jean Minondo
Sound Mixer:
Cyril Holtz
Damien Lazzerini
Supervising Sound Editor:
Gurwal Coïc-Gallas
Visual Effects Supervisor:
Cédric Fayolle
Writer:
Albert Dupontel
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.