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Breach (2020) [R]

Release Date:
December 17, 2020

Original Title:
Breach

Alternate Titles:
Anti-Life
İhlal: Yaşam Karşıtı
Космическа заплаха
異星危機
브리치

Genres:
Action | Horror | Science Fiction

Production Companies:
308 Enterprises
Almost Never Films
Aloe Entertainment
Saban Films
Screen Media Films

Production Countries:
Canada | United States of America

Ratings / Certifications:
AU: MA 15+  BR: 16  CH: 16  DE: 16  DK: 15  GB: 15  JP: R18+  PL: 16  US: R 

Runtime: 92

Deep in space they are not alone.

Overview from TheMovieDB

A hardened mechanic must stay awake and maintain an interstellar ark fleeing the dying planet Earth with a few thousand lucky souls on board... the last of humanity. Unfortunately, humans are not the only passengers. A shapeshifting alien creature has taken residence, its only goal is to kill as many people as possible. The crew must think quickly to stop this menace before it destroys mankind.

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Trailer

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Performers

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Production

"A" Camera Operator:
Will Stone

"B" Camera Operator:
Philip Johnson

Additional Editing:
Nicholas Larrabure

Art Direction:
Jere Sallee
Brian Massey

Assistant Editor:
Brandon Bernier

Best Boy Electric:
Hailey Hannigan

Best Boy Grip:
Harley Shooke

Boom Operator:
Barry Rathbun

Camera Operator:
Philip Nathanael

Casting:
Chadwick Struck

Character Designer:
Lucas Orueta

Chief Lighting Technician:
Chase Yarbrough

Compositor:
Nico Holodowsky

Construction Coordinator:
Cory Alan Cooper

Costume Design:
Kimberly Matela

Creative Consultant:
Ryan Binaco

Digital Imaging Technician:
Addison Brown

Digital Intermediate Colorist:
Robert Crosby

Digital Intermediate Producer:
Persephanie Engel

Director:
John Suits

Director of Photography:
Will Stone

Editor:
John Suits

Electrician:
David Seth Chapman

Executive Producer:
Alexander Kane
Roger Dorman
Ness Saban
Jonathan Saba
Mary Aloe
Ryan Charles Griffin
Stephen J. Eads
Johnny Messner
Seth Needle
Andrew Kotliar
Edward Drake
Danny H. Chan
Elizabeth Zavoyskiy
Shanan Becker
Benjamin Krause
Bill Bromiley
Mike Donovan

First Assistant "A" Camera:
Hart Jacquez

First Assistant "B" Camera:
Aaron Rosene

First Assistant Director:
Logan Thomas Peterson

Foley:
Kristopher Laflamme

Gaffer:
Chase Yarbrough

Grip:
Andrew Webster
Nathan Ward

Hair Department Head:
Claire Mints

Key Costumer:
Maggie Hudak

Key Grip:
Jeremy Crouch
Adolf Steele

Key Hair Stylist:
Julia Galimore

Key Makeup Artist:
Chelsea Lee

Line Producer:
John Mehrer

Makeup Effects Designer:
Roy Knyrim

Music Supervisor:
Aaron Drake

Original Music Composer:
Scott Glasgow

Producer:
Danny Roth
Corey Large

Production Accountant:
John Mehrer

Production Design:
Melissa Woods
David Dean Ebert

Production Sound Mixer:
Phil Perpich

Script Supervisor:
Amy Gilbert

Second Assistant "A" Camera:
Harrisen Logan Howes
Olivia Schweikert

Second Assistant Director:
Alina Verenich

Second Unit Director of Photography:
Laffrey Witbrod

Set Decoration:
Jacob Palmer

Set Dresser:
Phillip Joe Luke
Shay Rhonemus

Sound Designer:
Joe Barrucco

Sound Effects Editor:
Kristopher Laflamme

Sound Re-Recording Mixer:
Joe Barrucco

Special Effects Coordinator:
Roy Kynrim

Special Effects Key Makeup Artist:
Cat Bernier

Special Effects Makeup Artist:
Matt Falletta
Jordan Sanders
Allie Shehorn

Still Photographer:
Daniel Shippey

Storyboard Artist:
Andrew Stone

Stunt Coordinator:
Van Ayasit

Stunt Double:
Stuart F. Wilson
Kevin Kem
Elizabeth Davidovich
Jess Durham

Stunts:
Billy Bussey
Surawit Sae Kang
Ben Aycrigg

Supervising Sound Editor:
Joe Barrucco

Swing:
Cat Waller

VFX Artist:
Joaquín Kierbel
Nahuel Belich
David Teres

Visual Effects Producer:
Daniel Calvo

Visual Effects Supervisor:
Daniel Calvo

Writer:
Corey Large
Edward Drake

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.