A work in constant progress (and occasional regress).
Release Date:
November 7, 2019
Original Title:
Ефектот на среќа
Alternate Titles:
Ефектот на среќа
最後的幸福時光
Genres:
Drama
Production Companies:
Living Pictures
Montenegro Max Films
New Moment - New Ideas Skopje
Production Countries:
Albania | Kosovo | Macedonia | Montenegro | Serbia
Ratings / Certifications:
N/A
Runtime: 90
Lea, 21, is being diagnosed with leukemia. Having no time left she starts appreciating every hour, seeing beauty where she's never seen before. Hoping she could change the world, Lea makes a video project aiming to give her contribution to living by creating a viral happiness effect.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Boom Operator:
Darko Boškovski
Cinematography:
Dimo Popov
Co-Producer:
Predrag Karlo Kalezić
Vjosa Berisha
Creative Producer:
Saso Pesev
Director:
Borjan Zafirovski
Executive Producer:
Saso Pesev
First Assistant Camera:
Marina Koloska
First Assistant Director:
Marko Gjokovik
Foley Artist:
Dragan Spasov
Foley Editor:
Zoran Prodanović
Foley Recordist:
Nenad Stefanoski
Gaffer:
Ivan Gjorshev
Makeup Designer:
Svetlana Gutic
Mixing Engineer:
Risto Alchinov
Music Consultant:
Dino Imeri
Production Executive:
Mihajlo Cvetanov
Script Supervisor:
Alicia Ferro
Second Assistant Camera:
Jetmir Zenelaj
Sound Designer:
Igor Popovski
Sound Editor:
Jovo Kljajić
Still Photographer:
Dragoljub Nikolovski
Writer:
Borjan Zafirovski
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.