A work in constant progress (and occasional regress).
Release Date:
March 26, 2018
Original Title:
Alice after Wonderland
Production Countries:
Mexico
Ratings / Certifications:
N/A
Alice after Wonderland was created with quotes from Alice Through the Looking Glass and Alice in Wonderland. I took the promises that belong to that magic world Lewis Carroll wrote for Alice and I focused in capturing their contradictory love story. I developed a personal view drawn from that time, where reality is always a different one, where words can mean nothing and at the same time, every text has a double meaning; thus, showing the fear of growing older, the fear of the disappearance of magic, the fear of abuse and impunity. Alice is surrounded by creatures that she thought she knew, but now trouble her; there is no one to help her, no one to care about her; no innocence, but above all, there is not an easy way back to Wonderland.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.